Articles
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1 week ago |
wordswithoutborders.org | Nathalie Handal |Carmen Boullosa |Rafael Pérez Gay |Nina Perrotta
If each city is like a game of chess, the day when I have learned the rules, I shall finally possess my empire, even if I shall never succeed in knowing all the cities it contains. —Italo Calvino, Invisible CitiesCan you describe the mood of El Paso as you feel/see it? First, what is visible: the lavish expanse of light. Light on the stone benches. Light on the slopes of the mountains surrounding the city.
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Jan 7, 2025 |
revistadelauniversidad.mx | Nathalie Handal
Cuando mueraun mapa del mundocolgará sobre mi cama,la pequeña biblioteca de Mijasdonde leí a Lorcapor vez primerase transformará en un café,los olivossin los que no puedo vivirhabrán florecido,veré la muerte desde lejosesperándomemas no me moveré–moriré en un treny el paisaje seráde árboles blancos, suspendidossobre nubes grises,moriré en el cielodonde los pájarosportarán un arroyo de luzen sus alas,moriré en un cochedonde las ventanasserán un manto de nieve,moriré en movimiento.
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Nov 27, 2024 |
wordswithoutborders.org | Tobias Carroll |Nina Perrotta |Samantha Schnee |Nathalie Handal |Sudipto Pal
From Litmus Press | Viscera: Eight Voices from Poland edited by Mark Tardi, translated from Polish by Mark Tardi, Lynn Suh, Małgorzata Myk, and Katarzyna Szuster-Tardi | Poetry | 288 pages | ISBN 9781933959832 | US$22.00 What the publisher says: “Viscera: Eight Voices from Poland, edited by Mark Tardi, presents a selection of work by Polish women writers committed to experimenting with form while shaping vigorous political critiques.” What Eileen Myles says: “People who teach should use these...
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Oct 31, 2024 |
newsngr.com.ng | Nathalie Handal
The film is a love story of Nigeria where justice emerged as a theme of conflict between the rulers and the ruled. It is a love story, distraught, disappointing, tragic, painful, like most love stories can be, but it is what drives the protagonist.
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Oct 27, 2024 |
everand.com | Nathalie Handal
Photo Courtesy Nathalie Handal Awam Amkpa is as eclectic as the highlife music of 1960s Nigeria—a fusion of African rhythms played with Western instruments. It is in this spirit of merging that he directed The Man Died, inspired by Wole Soyinka’s prison memoir. The Man Died connects Soyinka’s heartbeat to Nigeria’s. The past to the present. The film’s intuitive quality makes us ponder on what a country means to a man.
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