Articles

  • Nov 14, 2024 | tribunemag.co.uk | Nathalie Olah

    A figure that has long spelled fear, resentment, and rage on a personal level has more recently acquired literary status. Of course, landlords have featured in novels and plays for as long as either form has existed. Pick a stupid but obvious example: Mr Toad is a character that most of us encounter in early […] A figure that has long spelled fear, resentment, and rage on a personal level has more recently acquired literary status.

  • Nov 13, 2024 | mubi.com | Nathalie Olah

    Andrea Arnold’s Bird (2024), a MUBI release, is now playing in theaters. I have good news for those seeking a posthuman perspective on the class system. Andrea Arnold’s Bird (2024) combines a story of economic hardship with one of delicate animal life and sublime metamorphosis. If that sounds silly or trite, it isn’t remotely.

  • Sep 24, 2024 | crackmagazine.net | Nathalie Olah |Adam Curtis

    24.09.24 Words by: Nathalie Olah & Adam Curtis Since the late 1980s, British documentary filmmaker Adam Curtis has been delving into the unexpected ways in which politics, economics, religion, technology and philosophy intersect to create the world we live in. His television journalism has earned him a cult following across disciplines: his visuals are part of Massive Attack’s current touring live show, which explores geopolitics, climate action and disinformation. In this extended Q&A,...

  • Jul 22, 2024 | artreview.com | Nathalie Olah

    An exhibition at Studio Voltaire, London positions the oft-derided artist alongside the hyperreal homoerotica of Tom of Finland, hoping to champion the artistry of both‘There will be no Beryl Cooks in Tate Modern,’ declared then-Tate director Nicholas Serota in 1996, according to critic Julian Spalding’s recent memoir, Art Exposed.

  • Jul 21, 2024 | msn.com | Nathalie Olah

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