Nathan Gelgud

Oct 25, 2024 | see-saw.fun | Nathan Gelgud |Evan Minsker |Nina Corcoran

Welcome to Punk This Week, see/saw’s weekly column exploring the latest and greatest punk and rock’n’roll records. In addition to that new Amyl and the Sniffers album, there are new ones from Detroit’s Prostitute, Paris’ Alvilda, and Philadelphia’s Zorn. All that plus the latest from Hot Tubs Time Machine, Piss Wizard, Stall, Midgee, Electric Prawns 2, and more. There’s a way to read all about it: Punk This Week is available to paid subscribers (and those who barter their way across the paywall).

Oct 23, 2024 | hyperallergic.com | Nathan Gelgud

We rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, consider supporting us as a member. Join Us Art Spiegelman, luminary cartoonist and author of Maus (1986), once wrote that Peanuts “had the simplicity and depth charge of a haiku.” If the haiku were written by Groucho Marx, the same could be said about Nancy, the Ernie Bushmiller comic strip that ran from 1938 to 1982 in papers across the United States.

Oct 23, 2024 | flipboard.com | Nathan Gelgud

1 day agoThis year’s Nobel Prizes may have been some of the last to be awarded to humans, and even then, many of them went to humans who were instrumental in inventing modern artificial intelligence (AI). Eventually, AIs may win the prizes directly. In the meantime, perhaps the best transitional Nobel Prize …

Oct 23, 2024 | see-saw.fun | Evan Minsker |Nina Corcoran |Nathan Gelgud

comic — 1 min read Nathan Gelgud is a cartoonist and illustrator. His comics about movies and books have appeared in The New York Times, The New Yorker, New York Review of Books, and Hyperallergic.

Apr 1, 2024 | hyperallergic.com | Hrag Vartanian |Hakim Bishara |Lisa Zhang |Nathan Gelgud |CM Campbell |Noah Fischer | +2 more

If there’s one thing I love more than an art book, it’s a meticulously crafted graphic novel that manages to strike that elusive, perfect balance between words and images, articulation and silence. The tactile, pliable genre is as multifaceted as any other art medium and constantly pushes the expressive boundaries of how to tell a story.