Articles

  • 1 week ago | airmail.news | Nathan King

    FLICK Louis Poulsen One of the happier by-products of the coronavirus pandemic is the battery-powered table lamp. The pleasures of outdoor dining increase in proportion with how well you can see what’s on your plate. Though, in the nearly five years since al fresco dining became widespread, in the summer of 2020, we’ve learned that not all portable lamps are created equal.

  • 2 weeks ago | airmail.news | Nathan King

    LISTEN Birdly Serenade When Randall Poster—the music supervisor of choice for Martin Scorsese, Wes Anderson, and, among countless others, AIR MAIL—released his Grammy-winning 20-LP boxed set, For the Birds: The Birdsong Project, it seemed unlikely that there would be a follow-up anytime soon. The project, which comprises songs, poetry, and artwork by everyone from Yoko Ono and Jonathan Franzen to Alice Coltrane and Jarvis Cocker, is just that prodigious. Then again, so is Poster’s love for birds.

  • 1 month ago | airmail.news | Nathan King

    F. Scott Fitzgerald’s final royalty check was for $13.13, making him the recipient of a double dose of bad luck. By 1940, the novel he thought to be his masterpiece, The Great Gatsby, was very nearly out of print, and the woman he regarded as the love of his life, Zelda Fitzgerald, was living across the country, in and out of mental hospitals.

  • 1 month ago | airmail.news | Nathan King

    CARRY Aleon Sometimes it pays to look like a rich tourist and sometimes it doesn’t. If you’re checking into the Crillon, you don’t want to be pulling a tattered old Samsonite behind you. But wandering through a souk with a Rimowa, you’re suddenly a mark. The Northern California–based Aleon seems to have sensed this dilemma and has designed their range of cases accordingly.

  • 2 months ago | airmail.news | Nathan King

    In AIR MAIL’s latest podcast, never-before-heard interviews with the likes of Robert Evans and James Caan chronicle the making of The Godfather About four and a half years ago, AIR MAIL’s Co-Editor Graydon Carter forwarded me a movie script he had been sent about the making of The Godfather. It was a dramatized version of the story, but a fairly accurate, captivating one, and Graydon thought it might serve as the basis for a great podcast on the subject.

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