Nick Buckley

2 weeks ago | watoday.com.au | Nick Buckley |Giselle Au-Nhien Nguyen |Robert Moran |Jules LeFevre

Vertigo opens Devaura’s Vol 1. Learning in Public EP with post-punk plucked strings that could come straight off a Cocteau Twins record. But then the martial drums start thumping, synths rise with anticipation and Devaura opens up the pipes, deftly switching between powerful vocal runs and an authoritative rap flow.

2 weeks ago | brisbanetimes.com.au | Nick Buckley |Giselle Au-Nhien Nguyen |Robert Moran |Jules LeFevre

By Nick Buckley, Giselle Au-Nhien Nguyen, Robert Moran and Jules LeFevre April 5, 2025 — 4.30am, register or subscribe to save articles for later. Add articles to your saved list and come back to them any time. Floodlights, UnderneathIf there was ever an opening track to convince you to keep listening, it’s Alive (I Want To Feel).

2 weeks ago | smh.com.au | Nick Buckley

, register or subscribe to save articles for later. Add articles to your saved list and come back to them any time. To international audiences, Marlon Williams’ songs are the highway stop after Roy Orbison’s Texas and Chris Isaak’s California. But the Māori musician, one of Aotearoa’s most successful musical exports, traverses more than geography.

2 weeks ago | watoday.com.au | Nick Buckley

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3 weeks ago | esquire.com.au | Nick Buckley

KESHA TAKES TO the stage in a lipstick-red leotard and matching knee-high boots. The American pop idol best known for her 2010 anthem 'TiK ToK' is flanked by muscular back-up dancers wearing leather gimp-dog masks. As the dancers gyrate, the teenage boy next to me lets out a shocked "Whoa". Kesha showers the crowd in champagne before carefully tossing the bottle into the mosh, the glass shattering upon hitting the ground.