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  • 2 weeks ago | standard.co.uk | Nick Curtis

    Culture | TheatreMark Rosenblatt’s Giant tackles Roald Dahl’s antisemitism in blistering style with a sublimely nuanced performance by John LithgowJohn Lithgow in Giant at the Harold Pinter TheatreJohan PerssonNick Curtis @nickcurtis2 minutes agoThere’s no more urgent play in London right now than Mark Rosenblatt’s Giant, and no better performance than John Lithgow’s in it as an irascible, cruel, needling Roald Dahl.

  • 2 weeks ago | standard.co.uk | Nick Curtis

    Culture | TheatreAmong a slew of Krapp’s, Stephen Rea’s is finely calibrated but lacks pathosStephen Rea in Krapp’s Last Tape by Samuel Beckett directed by Vicky Featherstone. Photo: Patricio Cassinoni Patricio CassinoniNick Curtis @nickcurtis1 minute agoHonestly, you wait ages for a decent Krapp and then three come along at once.

  • 2 weeks ago | standard.co.uk | Nick Curtis

    Culture | TheatreThis play boasts a glib, howlingly pretentious script and a drippy central character in McGregor’s architect Henry SolnessJohan PerssonNick Curtis @nickcurtis1 minute agoGratifying as it is to see Ewan McGregor back on stage after 17 years, I wish he’d found a better vehicle than this so-called “new play” by American writer Lila Raicek, which feeds Henrik Ibsen’s problematic 1892 work The Master Builder through the blender of contemporary sexual politics.

  • 2 weeks ago | standard.co.uk | Nick Curtis

    Culture | TheatreAlfie Allen and Brendan Coyle star in this banter-filled play about a high stakes card gameBrendan Coyle and Kasper Hilton-Hille in Dealer's ChoiceHelen MurrayNick Curtis @nickcurtis1 minute agoLads lads lads! Patrick Marber’s 1995 debut play about an all-male poker school in a restaurant basement holds up extremely well as a savagely comic study of compulsion.

  • 2 weeks ago | standard.co.uk | Nick Curtis

    Culture | TheatreErica Whyman’s efficient production retells the story of how Benjamin Britten’s catastrophic Coronation piece Gloriana was createdEllie KurttzNick Curtis @nickcurtis2 minutes agoNormally art that’s about art irritates me but Mark Ravenhill’s play, depicting Benjamin Britten and Imogen Holst giving agonizing birth to the grand opera Gloriana for the 1953 Coronation, is gradually enthralling.

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Nick Curtis
Nick Curtis @nickcurtis
11 May 25

Here at the Noel Coward for @mischiefcomedy’s The Comedy About Spies. Review embargoed to midnight Tuesday on https://t.co/ztH2TTLUlt and @ESCulture https://t.co/mGPBfvyvg3

Nick Curtis
Nick Curtis @nickcurtis
11 May 25

Aaand we’re BACK. Season 3 of the LTR kicks off with a belter, if we say so ourselves, as ⁦@NancyDurrant⁩, ⁦@MrNickClark⁩ and I discuss My Master Builder and Giant, whose author Mark Rosenblatt also had a chat with me: plus much more. Listen! https://t.co/nIO9kIwJFl

Nick Curtis
Nick Curtis @nickcurtis
10 May 25

Marie and Rosetta at the Rose Theatre: magnificent singing, pedestrian script | The Standard https://t.co/iPPCg765oN