Nick Pinkerton

Dec 9, 2024 | metrograph.com | Nick Pinkerton

In Futures and Pasts, Metrograph’s Editor-at-Large Nick Pinkerton highlights screenings of particular note taking place at the Metrograph theater. For the latest entry, he considers Christoph Schlingensief’s rampaging reunification-themed splatter comedy. The German Chainsaw Massacre (1990) plays at Metrograph from Friday, December 13 as part of An Alternate Cinema – Five Films from the Deutsche Kinamethek Archives at Berlinale, and streams At Home from January 1.

Oct 4, 2024 | 4columns.org | Nick Pinkerton

Megalopolis Nick Pinkerton In Francis Ford Coppola’s latest film, a visionary architect with utopian dreams navigates political chaos and conspiracy to rebuild a declining American city. Adam Driver as Cesar Catilina and Nathalie Emmanuel as Julia Cicero in Megalopolis. Courtesy Lionsgate.

Sep 26, 2024 | metrograph.com | Blake Simons |Nick Pinkerton |Eric Kohn |Paula Beer

Interview By Blake Simons The independent Japanese filmmaker discusses time capsule cinema, music, and place. Interview By Nick Pinkerton Nickel Boys (2024) director RaMell Ross looks back at his lauded feature debut. Interview By Eric Kohn Jérémy Clapin explains his mysterious new alien drama, Meanwhile on Earth. Interview By Paula Beer The German actresses discuss their ascendant careers.

Sep 25, 2024 | metrograph.com | Nick Pinkerton

Nickel Boys (2024) director RaMell Ross looks back at his lauded feature debut. Hale County This Morning, This Evening (2018) is currently streaming on Metrograph At Home. I got to know RaMell Ross a bit in 2018 when he was doing the festival rounds with his first feature, Hale County This Morning, This Evening, which had been accumulating proselytizing admirers since its Sundance premiere at the beginning of the year.

Aug 15, 2024 | heraldo.es | Sean Williams |Nick Pinkerton |Talia Ryder

Las historias en las que el protagonista emprende un viaje, sea de búsqueda o simplemente porque necesita irse, resultan propicias para desplegar lo diferente. En ‘The Sweet East’, Sean Price Williams debuta como autor con un relato de iniciación juvenil fuertemente adscrito a las formas del cine independiente estadounidense, cauce en el que ha ejercido una destacada labor como director de fotografía. ‘Good Time’ y ‘Heaven Knows What’, ambas de los hermanos Safdie, sobresalen en su trayectoria.