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Nicolas Tyrell Scott

London

Music and Culture Journalist at Freelance

Culture and music speaker, editor, journalist, critic, consultant and curator • Words everywhere • Host of @ICALondon’s The Town Hall

Articles

  • Nov 14, 2023 | complex.com | Nicolas-Tyrell Scott |Nicolas Tyrell Scott

    Candice Ward / Getty Images The modern musical landscape is canvassed by on-the-nose, referential samples, with newer songs endorsing records that came before them. One only has to look at Smino’s “No L’s” (sampling the Missy Elliot-produced “Knock Knock”, and the Brent Faiyaz-led “Last One Left” (sampling her Beyonce-assisted “Crazy Feelings”) to see the abundance of samples laden for contemporary listeners.

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Nicolas-Tyrell Scott
Nicolas-Tyrell Scott @iamntyrell
25 Jun 25

This sounds awful actually

NFR Podcast
NFR Podcast @nfr_podcast

RICK ROSS PHARRELL WILLIAMS FOR THE MONEY 🚨JUNE 27TH🚨 https://t.co/jP9ozbOTnO

Nicolas-Tyrell Scott
Nicolas-Tyrell Scott @iamntyrell
25 Jun 25

RT @srijandeep: Breath of fresh air. https://t.co/077SH9Vu1M

Nicolas-Tyrell Scott
Nicolas-Tyrell Scott @iamntyrell
25 Jun 25

Beyond how funny this is, it does tonally sound like P4k opt for criticism as opposed to critique as a tactic. For context: criticism comes from a negative standpoint, whereas critique looks to find solutions and is rooted more in disciplined analysis and assessment

whore d’oeuvre 🥟
whore d’oeuvre 🥟 @katieroo_25

@saintdutchess You left out the best part https://t.co/PkT6rPr9QG