Nicole-Ann Lobo

May 22, 2024 | dissentmagazine.org | Nicole-Ann Lobo |Lovia Gyarkye |Dan Sinykin

Fragments of a New World In Suneil Sanzgiri’s new film, the landscape remains as a last witness to the violence of colonial power. ▪ Spring 2024 A photograph of Sita Valles dressed in a paisley blue miniskirt with a hand on her hip, leaning against a glossy red car, has made the young revolutionary an icon. It appears on book covers, posters, and a mural in Panjim, the capital of Goa, India.

May 22, 2024 | dissentmagazine.org | Timothy Shenk |Nicole-Ann Lobo |Maurice Isserman |Matthew Sitman

Jul 9, 2023 | scroll.in | Nicole-Ann Lobo

I first discovered Hum Dono, the seminal 1969 album by Joe Harriott and Amancio D’Silva Quartet, on a rainy October walk in London. I had just finished graduate school, and on a whim moved to the city to research the great Goan artist Francis Newton Souza, who hailed from the same village as my family, and produced some of his greatest paintings while living in Hampstead.