Articles

  • 3 weeks ago | newyorker.com | Nikhil Krishnan

    It wasn’t so long ago that respectable psychologists didn’t really talk about “brainwashing.” The term had the slightly kitschy flavor of other Cold War embarrassments—C.I.A. spy cats and Reds-under-the-bed paranoia. But Google’s indispensable Ngram Viewer, which analyzes how frequently phrases appear in printed texts, confirms that the past two decades have seen an uptick in the word’s usage. What’s bringing brainwashing back?

  • 1 month ago | the-tls.co.uk | Kieran Setiya |Nikhil Krishnan |Charles Foster |Noga Arikha

    Three years before he vowed, in “Carrion Comfort”, not to feast on despair, the poet Gerard Manley Hopkins grieved the physical decay of growing old: “And wisdom is early to despair: / Be beginning; since, no, nothing can be done / … So be beginning, be beginning to despair”. We age, decline and die, like everyone we love. Yet despair is not, to put it mildly, a popular stance.

  • Dec 23, 2024 | newyorker.com | Nikhil Krishnan

    Naturally, I hold slavery to be an abomination and liberal democracies to be better than totalitarian dictatorships. But why? I could draw on my years of education to tell you it has something to do with my belief in freedom, autonomy, the awfulness of treating a fellow human being as a mere instrument. But a skeptic can point out that I had these convictions before I was ever in a position to articulate a cogent argument for them.

  • Sep 22, 2024 | telegraph.co.uk | Nikhil Krishnan

    Alan Hollinghurst, author of Our Evenings Getty When Alan Hollinghurst first came to prominence in the late 1980s with his debut, The Swimming-Pool Library, what shocked and thrilled his readers was less the sexual frankness of his prose than the aesthete’s seriousness he brought to subjects typically left to pornographers. As he enters his seventies, his newest novel – only his seventh – shows no decline in elegance, rather a deepening of his interest in what were once secondary themes in...

  • Sep 12, 2024 | telegraph.co.uk | Nikhil Krishnan

    Detail from Gaugin's Nevermore (1897) Credit: Pictures From History/Universal Images Group via Getty Images Anyone with a free hour to spend in central London could do worse than pop into the top floor of the Courtauld Gallery.

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