
Nini Gabritchidze
Co-Author, The Dispatch at Civil.ge
Author at @CivilGe / formerly - Georgia correspondent at @eurasianet
Articles
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1 week ago |
civil.ge | Nini Gabritchidze
Sometimes it feels like the only thing different about Georgian Dream supporters is that they just got tired of it all a lot sooner than the rest of us did. It is remarkable how much energy a lack of energy can have. Exhaustion, or the state of being drained of power, is still powerful enough to create discourses, build ideologies, poison with propaganda, transform worldviews, confront, destroy, hate, alienate, accuse, excuse, name and shame, or gaslight your former comrades into giving up.
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2 weeks ago |
civil.ge | Nini Gabritchidze
History does repeat itself – first as tragedy, then as FARA. The introduction of foreign agent laws has become a kind of a moveable feast in Georgia, taking place every year in the same season but in different weeks. And just like with Easter, probably the most popular of the moveable feasts, this year’s foreign agents’ celebration seems to be special as it coincides with the Western version. Or so Georgian Dream claims.
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3 weeks ago |
civil.ge | Nini Gabritchidze
…of Revolutionary Tea, Reactionary Tea, and SolidariTeaFrom Boston to Tbilisi, tea has always been about revolution. It would be hard to find a better visual representation of the 2003 Rose Revolution than the cold images of Mikheil Saakashvili sipping tea from a cup reserved for then-president Eduard Shevardnadze on the parliamentary rostrum.
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1 month ago |
civil.ge | Nini Gabritchidze
Has the leading demand of the Georgian resistance outlived its purpose?
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1 month ago |
civil.ge | Nini Gabritchidze
On March 12, the 105th day of nonstop Georgian protests, Skelo left the Rustaveli Avenue rally early. Evidence from friends’ messages suggests that the chubby, fluffy, grayish, short-legged, sad-faced stray dog was still at the parliament when protesters again blocked Tbilisi’s main street. But minutes later he was sitting alone around the Liberty Square metro station, about 300 meters down the road, listening with watery eyes to a street musician’s lonely guitar wail.
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