Noah Robinson

Dec 5, 2024 | change.org | Noah Robinson

The IssueDecember 5, 2024TO THE ATTENTION OF: United States Federal Trade CommissionOffice of the Secretary600 Pennsylvania Avenue NWWashington, DC 20580The Honorable Merrick GarlandAttorney General of the United StatesU.S. Department of Justice950 Pennsylvania Avenue NWWashington, DC 20530-0001The Honorable Kathy JenningsAttorney General of DelawareDepartment of JusticeCarvel State Building820 N.

Nov 19, 2024 | thegryphon.co.uk | Noah Robinson

“I’m not naive, I know it’s going to be very different, very difficult,” Ruben Amorim told reporters on the 10th of November after his final game in charge of Portuguese club Sporting. “I feel ready for the new challenge,” -The New Manchester United manager said. The ‘new challenge’ has proven too demanding for six full-time managers since the legendary Sir Alex Ferguson left the club in 2013.

Nov 2, 2024 | thegryphon.co.uk | Noah Robinson

The NFL outside of the USA? American Football had long been considered a sport solely forAmerican sports fans, largely ignored by the rest of the world. This is no longer the case. TheNFL has become a hugely popular and fast-growing sport in the UK and Europe, boastingmillions of fans. The potential for global expansion was first seen by the NFL in 2007, when it hosted the firstever NFL International Game in London, played between the New York Giants and MiamiDolphins at Wembley Stadium.

Oct 5, 2024 | epigram.org.uk | Noah Robinson

By Noah Robinson, Third Year Law Six decades. Six short plays. Two and a half hours of student theatre all put together in three weeks. It sounds unachievable, right? TRASh is Bristol DramSoc’s annual showcase which takes audience from the 1970s right through to the present day in an eclectic mix of pop-culture classics. The 1970s is always a tough feat to get right, with nearly all the audience (and actors) being born in the 2000s.

Nov 11, 2023 | epigram.org.uk | Noah Robinson |Milan Perera

By Noah Robinson, Second Year, LawLike the masterful handling of his materials and creative process, Elias Sime expertly balances the aesthetic and the ethical in Eregata, his first major solo exhibition in Europe, currently at the Arnolfini. The title Eregata emerges from a combination of Amharic, the artist’s language, and the ancient script of Ge’ez. It comes to its closest in English as ‘serene’, but there’s a particular irony in this.