Oliver Bown

Aug 9, 2024 | thereader.mitpress.mit.edu | Julia Lane |Karen Bakker |Michael Littman |Oliver Bown

BeeLine Reader uses subtle color gradients to help you read more efficiently. A few years ago, I argued that the U.S. is in desperate need of a National Data Service. As I wrote then, the Founding Fathers could not have foreseen the fragility of our national public measurement system, even if they did know that collecting data to determine representation was essential for the governed to have a voice in their government.

May 30, 2024 | aihub.org | Oliver Bown |UNSW Sydney |Lucy Smith |Ndane Ndazhaga

By Oliver Bown, UNSW SydneyIn March, we saw the launch of a “ChatGPT for music” called Suno, which uses generative AI to produce realistic songs on demand from short text prompts. A few weeks later, a similar competitor – Udio – arrived on the scene. I’ve been working with various creative computational tools for the past 15 years, both as a researcher and a producer, and the recent pace of change has floored me.

May 11, 2024 | dawn.com | Oliver Bown

In March, we saw the launch of a “ChatGPT for music” called Suno, which uses generative AI to produce realistic songs on demand from short text prompts. A few weeks later, a similar competitor — Udio — arrived on the scene. I’ve been working with various creative computational tools for the past 15 years, both as a researcher and a producer, and the recent pace of change has floored me.

May 8, 2024 | japantoday.com | Oliver Bown

In March, we saw the launch of a “ChatGPT for music” called Suno, which uses generative AI to produce realistic songs on demand from short text prompts. A few weeks later, a similar competitor – Udio – arrived on the scene. I’ve been working with various creative computational tools for the past 15 years, both as a researcher and a producer, and the recent pace of change has floored me.

May 7, 2024 | singularityhub.com | Oliver Bown

In March, we saw the launch of a “ChatGPT for music” called Suno, which uses generative AI to produce realistic songs on demand from short text prompts. A few weeks later, a similar competitor—Udio—arrived on the scene. I’ve been working with various creative computational tools for the past 15 years, both as a researcher and a producer, and the recent pace of change has floored me.