
Olivier Lafontant
Freelance Writer at Miami New Times
Writer at South Florida Media Network
Articles
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3 days ago |
pitchfork.com | Olivier Lafontant
There’s a scene at the start of Game of Thrones that lingers in the back of my mind. Two knights are jousting for an audience of royals, aristocrats, and commonfolk. One of them, the brolic, seemingly unstoppable “The Mountain,” suffers a shocking loss to Ser Loras, the effeminate Knight of the Flowers. Embarrassed and incredibly pissed off, the Mountain decapitates his horse with a massive sword. Spectators can’t do anything but gasp.
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3 days ago |
flipboard.com | Olivier Lafontant
Raunchy New Comedy With 95% RT Score That “Should Have Been in Theaters” Dominates StreamingIt seems that movie studios still cannot quite work out when to release movies in theaters and when to dump them on streaming as an exclusive. After …
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1 week ago |
pitchfork.com | Olivier Lafontant
For any DJs playing in urban pockets of South Florida for the first time: Please don’t queue “Take a Step Back” when you feel like you’re losing the crowd. Put on DJ Chipman’s “Beam Ahhh” instead—a fast-paced staple anchored by a genius flip of Eamon’s “On & On.” Its chipmunked refrain and plucks of guitar hit like spoonfuls of epinephrine; within seconds, everybody’ll start sticking and moving like those tall ass car wash floaties.
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4 weeks ago |
pitchfork.com | Olivier Lafontant
There’s no collective in America commanding the youth like Opium is right now. Somewhere between cold nonchalance and masochistic vitriol lies the Atlanta-based neo-punk brigade, a coven of rappers and producers who mold piercing distortion into organized bedlam. When Playboi Carti launched the label with the release of 2020’s Whole Lotta Red, he was already readying his first protégé.
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1 month ago |
pitchfork.com | Olivier Lafontant
A lot of your favorite rappers have catchphrases. People tend to call them “ad-libs,” which sounds cooler, but they’re really just catchphrases—even if they aren’t words at all. There was a time when all it took was a grunt from Rick Ross to let you know a track was getting shut down. From Boldy James’ “Where we at wit’ it?” to Myaap’s “On my daddyyy,” announcing your presence is a requisite in every corner of hip-hop.
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