Osman Can Yerebakan

1 month ago | family.style | Sahir Ahmed |Matt Starr |Osman Can Yerebakan

A space takes shape much like a smile—through its contours, its defining gestures. Then there’s what anchors it, like a pair of eyes, or a nose: a table, a rug, a lamp that casts a diffused glow over everything. A sofa, though, is the room’s expression, its longest curve, arguably the most important. It is where bodies sink and conversations begin.

1 month ago | family.style | Ann Binlot |Osman Can Yerebakan

At the entrance of the Art Institute of Chicago, a 1st-century sculpture of Augustus welcomes viewers. The first emperor of Rome poses with a fisted, left arm raised and right arm outstretched, reminiscent of a statue of Zeus at the sanctuary of Olympia in Greece.

1 month ago | artnews.com | Osman Can Yerebakan

Crickets in Ibiza, traditional Georgian music, sounds of the Amazon River recently filled the cavernous Chelsea outpost of Kurimanzutto. Across sound pieces, eight two-channel films, mixed-media collages, drawings, and sculpture, Patti Smith and Soundwalk Collective contemplated our current environmental crisis through the lens of demise, rebirth, and chance. “I look at places that hold invisible stories and memories,” Soundwalk Collective founder Stephan Crasneanscki told ARTnews.

1 month ago | canvasonline.com | Osman Can Yerebakan

Desert X returns to California’s Coachella Valley in a celebration of how the spirit of the open landscape meshes with human responses to both the raw elements and traditions of interaction.

1 month ago | theartnewspaper.com | Ben Luke |Osman Can Yerebakan |Louisa Buck

This month, London audiences will have a mouthwatering encounter with a Modern master whose impact on contemporary art has been enormous. But the venue is not Tate Modern. It is the Royal Ballet and Opera, which hosts Three Signature Works, a trio of pieces by George Balanchine, sublime choreographer of the Modern era: Prodigal Son, first performed in 1929, Serenade (1935) and Symphony in C (1947).