Patrick Dillon

Nov 20, 2024 | operacanada.ca | Patrick Dillon

Editor’s Note: Although this production does not feature Canadian singers – it is conducted by Yannick Nézet-Séguin – this review is provided since the production will be available in cinemas across the country on November 23, 2024. Puccini’s Tosca was three weeks past its first birthday when it made its Metropolitan Opera (and American) debut on February 4, 1901.

Nov 18, 2024 | change.org | Patrick Dillon

The IssueThe Green Party of Colorado is calling on President Joe Biden to issue mass civil immigration pardons for all qualified non-citizens in the United States. This urgent plea comes in response to President-elect Donald Trump's plans to initiate mass deportations on his first day in office. He has stated that Colorado’s most diverse city, Aurora, is his first target for mass deportations. Immigrants make up about 10% of Colorado’s population and workers.

Nov 3, 2024 | scherzo.es | Patrick Dillon

For a man destined to become the box-office king of the Metropolitan Opera, Giacomo Puccini made a notably inauspicious New York debut. That happened in May 1898, eight and a half years before he actually first set foot in the city, and the venue was not the still-young (at fifteen) Metropolitan Opera House at Thirty-ninth Street but the older, smaller, much less prestigious Wallack’s Theatre, twenty-six blocks down Broadway.

Nov 2, 2024 | scherzo.es | Patrick Dillon

Para un artista destinado a convertirse en el rey de la taquilla de la Metropolitan Opera, el debut neoyorquino de Giacomo Puccini resultó cuando menos poco auspicioso. Sucedió en mayo de 1898, ocho años y medio antes de que Puccini pisara por primera vez la ciudad, y el escenario no fue el todavía joven Met de la calle 39 (inaugurado apenas quince años antes), sino el más antiguo, pequeño y mucho menos prestigioso Wallack's Theatre, veintiséis manzanas al sur de Broadway.

Oct 12, 2024 | scherzo.es | Patrick Dillon

Sábado, 12 de Octubre de 2024 Home / Críticas / NUEVA YORK / Emily D’Angelo se consagra como nueva estrella del Met en la ópera ‘Grounded’, de Jeanine Tesori Suscríbete a nuestra newsletter Utilizamos tecnologías como las cookies para almacenar y/o acceder a la información del dispositivo. Lo hacemos para mejorar la experiencia de navegación y para mostrar anuncios personalizados.