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Patrick Ezema

Nigeria

Content Writer and Music Journalist at Freelance

Music and culture writer. Words: @takingCustody @NativeMag, @guardianLifeNG, @morebranches, @thelagosreview , @afrocritik, elsewhere.

Articles

  • 2 weeks ago | culturecustodian.com | Patrick Ezema

    Two weeks ago, ID Cabasa released Anytime Reimagined, which features street pop acts Bella Shmurda and Ayo Maff as well as the Port Harcourt rap duo of Ajebo Hustlers. The track is a reimagined version of 9ice’s soul-baring Anytime from his Tradition album of 2009, a song that Cabasa produced while they were both under the umbrella of his label, Coded Tunes.

  • 1 month ago | culturecustodian.com | Patrick Ezema

    The 17th edition of the Headies, Nigeria’s premier music award, was held on Sunday, and as usual, it was a festive music event, featuring both freshly minted stars and music legends alike vying for their own iconic Headies plaque. It also saw the return of the many drawbacks that we must now assume to be a part of the Headies experience—professionalism issues, technical errors, time delays—that were not mitigated even when the award was relocated to Atlanta, Georgia, for two years.

  • 1 month ago | culturecustodian.com | Patrick Ezema

    To open 5ive, the poet Alhanislam recites a spoken-word commentary on the album and the man behind it. It feels a little pretentious, rooted in the same idea that drives artists to label every new project their deepest and most personal work yet. Yet some of it does have grounding in real-life events.

  • 2 months ago | culturecustodian.com | Patrick Ezema

    M.anifest’s new album, NEW ROAD AND GUAVA TREES, has a cover that satirizes the ribbon cutting spectacle government officials love, apparently another of the many Ghana-Nigerian experiences. “It’s a bit of a caricature of our leaders, most of them trying to be commissioner-generals and commissioner-in-chief. It’s a very African occurrence,” M.anifest says to Culture Custodian.

  • Mar 5, 2025 | culturecustodian.com | Patrick Ezema

    In 2020, as the pandemic brought the world to a standstill, forcing Nigerians into movement restrictions and lockdowns, it was also incubating music talent and creativity that would go on to leave a legacy five years after. In Lagos, Nigeria’s commercial capital, clubs were shut, concerts were getting cancelled, even smaller festivities like weddings and birthday events were either held virtually, on a smaller scale, or postponed indefinitely.

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Patrick Ezema
Patrick Ezema @EzemaPatrick
29 May 25

RT @UnkleAyo: This is the recently approved budget by the National Assembly. If my mathematics isn't off, 1477 streetlights is projected…

Patrick Ezema
Patrick Ezema @EzemaPatrick
28 May 25

I remember when AI images/videos were just coming out and real artists were counting fingers and laughing at its output instead of straight up petitioning their governments to regulate tf out of it.

DramaAlert
DramaAlert @DramaAlert

Emotional support kangaroo rejected entry to plane. https://t.co/iFPu69m5WE

Patrick Ezema
Patrick Ezema @EzemaPatrick
26 May 25

RT @tweetedbyCC: Women make up half of Nigeria’s population, but its laws still limit their rights. Outdated legislation, weak enforcement…