Paul Han

Dec 12, 2023 | brnw.ch | Michael Halpern |Michelle Mollica |Paul Han |Emily S. Tonorezos

Introduction Delivery of high-quality survivorship care to the growing population of cancer survivors in the United States is often predicated on a mixture of individual provider and survivor factors such as awareness of guidelines and health knowledge risk perception.1-3 Therefore, it is critical to regularly consider commonly held beliefs to assess whether these principles support the best possible outcomes for cancer survivors, with outcomes defined as the results or effects of...

Nov 24, 2023 | frieze.com | Paul Han

According to its curatorial mission statement, ‘Cosmos Cinema’ – the 14th edition of the Shanghai Biennale – seeks to position film not only as a storytelling medium, but as a ‘cosmic phenomenon with the potential to change our understanding of the universe and our place within it’.

Nov 16, 2023 | ascopubs.org | Michael Halpern |Michelle Mollica |Paul Han |Emily S. Tonorezos

Delivery of high-quality survivorship care to the growing population of cancer survivors in the United States is often predicated on a mixture of individual provider and survivor factors such as awareness of guidelines and health knowledge risk perception.1-3 Therefore, it is critical to regularly consider commonly held beliefs to assess whether these principles support the best possible outcomes for cancer survivors, with outcomes defined as the results or effects of survivorship care that...

Sep 26, 2023 | artreview.com | Paul Han

We are living in a world, Geng suggests in a new show at Shanghart in Shanghai, of eternal melancholiaThere is something nihilistic about Geng Dayou’s five sculptural assemblages, each spotlit in an otherwise dimly lit room. There’s also something playful, empty, humorous and melancholic about them.

Jun 5, 2023 | leapleapleap.com | Paul Han

Tomas Vu, Flatland, 2001 acrylic, silkscreen, laser cut wood veneer, pencil, and gouache on Somerset paper, 118.5×88.5 cm, 6 pictures in total. “I Imagine Angels”, installation view, The Cloister Project, The Cloisters Apartments, Shanghai, 2022 Photo by Fengdi Ye Courtesy the artist and The Cloister ProjectShanghai, summer, 2022: with COVID restrictions in place there can’t be a more perfect time to talk about a Kafkaesque bureaucracy and society.