Articles

  • 2 months ago | strangehorizons.com | Rich Larson |Aishwarya Subramanian |Dan Hartland |Paul Kincaid

    [content_warning type="drugs, sex, blood, death, murder, autonomy"]This story is one of five winners of the Stop Copaganda short story contest, run in collaboration with Fight for the Future, Rightscon, and COMPOST Magazine.

  • 2 months ago | strangehorizons.com | M. L. Clark |Aishwarya Subramanian |Dan Hartland |Paul Kincaid

    Nathaniel Hawthorne’s “The Birth-Mark” (1843) generally isn’t taught as science fiction, though it has all the core elements of many configurations of the genre. In it, a scientist named Aylmer becomes obsessed with removing the one perceived imperfection on his wife, a red birthmark on her cheek.

  • 2 months ago | strangehorizons.com | Tristan Beiter |Aishwarya Subramanian |Dan Hartland |Paul Kincaid

    Chanlee Luu’s The Machine Autocorrects Code to I is an ambitious new entry into a larger field of feminist Asian American speculative poetics. This includes Margaret Rhee’s Love Robot (2017)—which placed third in the 2018 Elgin Award for Best Full-Length Book—Franny Choi’s Death by Sex Machine (2017) and Soft Science (2019), and Lo Kwa Mei-en’s (also publishing fiction as Lois Mei-en Kwa) The Bees Make Money in the Lion (2016).

  • 2 months ago | strangehorizons.com | Jacqueline Nyathi |Aishwarya Subramanian |Dan Hartland |Paul Kincaid

    Thinking about the future—prospection—is supposed to be a sign of our intelligence, something that sets us apart from “lower” forms of life. But has anyone asked those forms what they’re thinking about? In fact, humans are not unique in this: Many animals seem to plan ahead, or at least anticipate things that may be coming. And as humans we’re thinking about the future all the time: when we’re planning, fantasizing, making predictions, imagining.

  • Jan 13, 2025 | strangehorizons.com | Paul Chuks |Aishwarya Subramanian |Dan Hartland |Paul Kincaid

    Abu Bakr Sadiq has established himself as a speculative poet who uses speculation as a didactic tool in examining the most inevitable human feeling that people of all classes experience—loss. As such, the reader is greeted with didacticism in the opening poem of his latest book, “Introducing Bhabi to the Cyborg”:just so we’re clear, you're not allowed to askhow these scars came to be. i don’t usually respond to questionsconcerning lineage [...] (p.

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