Pauline Kael

2 months ago | link.newyorker.com | Pauline Kael |Nathan Heller |Hanif Abdurraqib |Dhruv Khullar

The movie critic’s informal manifesto reflects both her brilliance and her blind spots during a revolutionary period in Hollywood. View in browser | New Takes on the classics. To celebrate its centenary, The New Yorker has invited contributors to revisit notable works from the archive. You’re on the free list. Subscribe to enjoy unlimited access to a century of reporting, commentary, criticism, and fiction.

Aug 12, 2024 | newyorker.com | Pauline Kael

Barbra Streisand arrives on the screen, in “Funny Girl,” when the movies are in desperate need of her. The timing is perfect.