
Articles
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6 days ago |
hifinews.com | Peter Quantrill
Jonathan Aasgaard, BBC Scottish SO, John WilsonRichard Rodney Bennett: Concerto For Orchestra, Sonnets To Orpheus, DiversionsChandos CHSA5266 (SACD; downloads to 96kHz/24-bit resolution)RR Bennett’s legacy needed addressing properly, after his death in 2012, and John Wilson is unquestionably the man for the job. Here by turns is Bennett the modernist, the post-Romantic and the entertainer, and Wilson has the measure of all three disparate idioms.
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1 week ago |
hifinews.com | Peter Quantrill
Březina, Briscein, Prague National Theatre/Jaroslav KyzlinkJanáček: The Excursions Of Mr BroučekSupraphon SU4339-2 (two CDs; downloads to 48kHz/24-bit resolution)Janáček’s loopiest and most neglected opera – Al Murray’s Pub Landlord goes to the Moon, in a nutshell – has long needed a modern Czech recording. Opera recordings often don’t work out this way, but here you get the best of both worlds.
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1 week ago |
bachtrack.com | David Karlin |Mark Pullinger |Peter Quantrill |Eleanor Knight
What to search forIn the first and last acts, ladies entered with a train still attached to a bolt of cloth, which was then cut to length by an attendant. Was this production brought to the stage in a great hurry, allowing no time for costume fittings? It's taken two years for Jack Furness' new production of Dvořák's greatest opera to reach the Garsington stage, but it is entirely worth the wait, with a breathtaking performance from Natalya Romaniw in the title role.
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2 weeks ago |
hifinews.com | Peter Quantrill
Music and art can often make an attractive mix for cutting-edge cultural collectives, but the combination is also fraught with plenty of potential pitfalls, reckons Peter QuantrillComposers have often been inspired by artists, and vice versa. The Schoenberg anniversary celebrations serve to remind us that extraordinary individuals can even become accomplished in both fields.
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2 weeks ago |
bachtrack.com | Peter Quantrill
Spoiler warnings are usually surplus to requirements in Parsifal. The staging which opened at Glyndebourne on Saturday, however, offers much to surprise, provoke and often enlighten anyone ready to fall under the spell of Wagner’s last music-drama. The most conventional aspect of Jetske Mijnssen’s production is its setting at the time of the opera’s premiere in 1882.
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RT @euromove: Young European Movement UK President Alfred Quantrill strongly hopes for a youth mobility agreement, ideally linked to Erasmu…

RT @bachtrack: Unhurried suspense in a very English Parsifal @glyndebourne ✍️ Peter Quantrill https://t.co/oqS2Nw0kam

RT @bachtrack: “If this Ring were an HBO series, the Emmy awards would be in the can.” Fair to say that Barrie Kosky's new Walküre went dow…