Peter Sobczynski
Contributing Writer at RogerEbert.com
None at eFilmCritic
https://t.co/AmvDOJdcvo https://t.co/comQYerImd . Programmer for Chicago Critics Film Festival. Enthusiast of De Palma, T Swift and Milla J
Articles
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3 weeks ago |
petersobczynski.substack.com | Peter Sobczynski
The half-century since the debut of the game-changing blockbuster Jaws has seen the release of any number of films trying to ape its incredible success with narratives involving sharks chomping on people foolish enough to get too close to them.
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3 weeks ago |
petersobczynski.substack.com | Peter Sobczynski
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1 month ago |
petersobczynski.substack.com | Peter Sobczynski
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1 month ago |
petersobczynski.substack.com | Peter Sobczynski
Like so many aspiring filmmakers before them, the fraternal New Zealander duo of Danny and Michael Philippou elected to make their feature debut with a low-budget horror film that would serve as a sort of calling card for their talents—in their case, a story about a group of teens who are able to conjure up spirits with the help of a mummified hand and one discovering too late that this was perhaps not the smartest of ideas.
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1 month ago |
petersobczynski.substack.com | Peter Sobczynski
At the conclusion of Mission: Impossible—Dead Reckoning Part One (2023), the seventh installment of the surprisingly durable film franchise inspired by the long-running 60s-era TV show, the seemingly indestructible super-agent Ethan Hunt was left in a heretofore unheard-of position of vulnerability that was not due exclusively to the fact that it was only the first half of a two-part narrative.
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