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Phil Cho

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  • Oct 10, 2024 | insheepsclothinghifi.com | Phil Cho

    A bonafide living legend, the desert-based ambient pioneer Steve Roach was part of an early wave of American artists pushing the boundaries of synthesizer music.

  • Sep 19, 2024 | insheepsclothinghifi.com | Phil Cho

    The seemingly endless well of ’90s CD-era Japanese downtempo bands continues to reveal new secrets… Our latest discovery is Natural Calamity, a trio comprised of guitarist Shunji Mori, bassist/keyboardist Kuni Sugimoto, and British singer Stephanie Heasley. Mori and Sugimoto met in the early ’90s and released their first album as Natural Calamity, Dawn in the Valley, in 1992 for the great File Records.

  • Aug 13, 2024 | insheepsclothinghifi.com | Phil Cho

    Last week, Ryuichi Sakamoto’s posthumous album Opus was released alongside an accompanying film. Recorded during his final concert in the fall of 2022, the album is an enduring testament to Sakamoto’s musical legacy featuring a meticulously curated selection of his classic soundtracks, iconic compositions for adverts, a song from Yellow Magic Orchestra’s debut album, a track from his final album 12, and three previously unreleased pieces.

  • Aug 8, 2024 | insheepsclothinghifi.com | Phil Cho

    In the late-80s, a decade after the end of the Cultural Revolution, Chinese rock music began to spread from Beijing into the mainstream through the university protest movements surrounding the 1989 TiananmenSquare massacre. The “Father of Chinese Rock” Cui Jian’s “一无所有 (Nothing to My Name),” a coded political love song, would become the unofficial anthem for Chinese youth and activists, with most students across China knowing the refrain.

  • Aug 1, 2024 | insheepsclothinghifi.com | Phil Cho

    While a relatively new phenomenon in America & Europe, record cafes/bars have existed since the late 1920’s in Japan. These dedicated listening spaces originally played mostly jazz and classical music, but these days, record bars can take on many different forms and feature all varieties of sounds and genres. Given the comparatively lower rent and relative ease of acquiring a liquor license in Japan, almost any space can be transformed into a place for drinking and listening.

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