Phuong Le
Editor at REI Co-op Journal
Contributor at Freelance
Editor, writer, immigrant, mom. Ex-@AP, now an editor @REI. she/her
Articles
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5 days ago |
theguardian.com | Phuong Le
The humble telephone box, a souvenir from the days of analogue, can also be an intriguing cinematic locus. Floriane Devigne’s road trip documentary begins with such a relic: the last public phone booth in Paris, which also appears in Jacques Rivette’s mesmerising 1981 film Le Pont du Nord. Unlike their Instagrammable British counterparts, French phone boxes are usually painted in a demure grey and blend seamlessly with their surroundings.
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1 week ago |
theguardian.com | Phuong Le
The queer defiance of Fil Ieropoulos’s kaleidoscopic documentary manifests not only through its subject, but also through its form. Centring on a group of drag performers and gender-nonconforming artists in Athens, this shape-shifting film celebrates a vibrant underground scene that thrives in a homophobic system, rife with state-sanctioned discrimination and violence.
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2 weeks ago |
msn.com | Phuong Le
Microsoft Cares About Your PrivacyMicrosoft and our third-party vendors use cookies to store and access information such as unique IDs to deliver, maintain and improve our services and ads. If you agree, MSN and Microsoft Bing will personalise the content and ads that you see. You can select ‘I Accept’ to consent to these uses or click on ‘Manage preferences’ to review your options and exercise your right to object to Legitimate Interest where used.
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2 weeks ago |
theguardian.com | Phuong Le
An incisive film-maker with a keen eye for contemporary youth culture, Hong Kong director Adam Wong has returned with another sensitive ensemble drama. The film follows three twentysomething friends as they navigate various degrees of deafness. Alan, played by first-time deaf actor Marco Ng, is a cochlear implant (CI) user. He is also an ambassador for the surgery, which can help restore sound perception for those with hearing loss.
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2 weeks ago |
theguardian.com | Phuong Le
You won’t find the works of Thomas Kinkade lining the walls of the Museum of Modern Art, yet the painter, who died in 2012, is one of the best-selling artists in history and his paintings hang in tens of millions of American households. Kinkade’s typical subjects – rustic landscapes, sleepy cottages, quaint gazebos – bask in an idyllic calm, a luminous callback to a fabled simpler past.
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