R. Joseph Dazo

Oct 3, 2023 | wordswithoutborders.org | Susan Harris |Nazlı Karabıyıkoğlu |R. Joseph Dazo |Chico Felitti

June 2020 Rose of Sapatão, 2014. Produced for the 31st São Paulo Biennal with the support of SAHA. Photo by CHROMA Istanbul. Courtesy of Galerist Istanbul. Image: Nilbar Güreş, Rose of Sapatão, 2014. Produced for the 31st São Paulo Biennal with the support of SAHA. Photo by CHROMA Istanbul. Courtesy of Galerist Istanbul. Welcome to our eleventh annual Queer issue. At this time of crisis, grief, and rage, we present six queer narratives of characters fighting for identity and recognition.

Sep 6, 2023 | philippinesgraphic.com.ph | R. Joseph Dazo

INo one can forget that red banca. If anyone were to ask how it looked, no one on our island would be mistaken in describing such a banca. Its color resembled the fresh blood of a butchered pig, and it was quite large, capable of carrying up to twenty people. However, its irritatingly grating engine seemed to shake the entire Dilaya island whenever it arrived. Our fathers often likened the red banca to the noisy limestone-quarrying machines from the adjacent island.