Rafael Motamayor

1 week ago | slashfilm.com | Rafael Motamayor

The Marvel Cinematic Universe, despite its recent creative and commercial fumbles, remains one of the biggest cinematic franchises ever — one that came to dominate Hollywood and pop culture in a shocking amount of time. To think it all started with one man, a single character, and a movie that changed Hollywood forever: "Iron Man."The summer of 2008 really was the season of Robert Downey Jr., at least on the big screen.

1 week ago | slashfilm.com | Rafael Motamayor

Reports of the Marvel Cinematic Universe's death have been (moderately) exaggerated, at least when it concerns "Thunderbolts,*" which is the latest entry in the franchise and arguably the single best MCU title in years. Above all else, it's a movie that understands the MCU is at its best when it puts several heroes together as a team rather than focusing on boring solo missions.

1 week ago | ign.com | Rafael Motamayor

All You Need Is Kill will open in theaters at a date TBD. This review is based on a screening at the 2025 Annecy International Animation Film Festival. Hiroshi Sakurazaka and Yoshioshi Abe's light novel All You Need Is Kill has previously provided the basis for a manga andthe Tom Cruise-Emily Blunt movie Edge of Tomorrow. Now Ken’ichirô Akimoto makes his feature directorial debut with a new version that gives the “live, die, repeat” story the visual splendor only animation can provide.

1 week ago | slashfilm.com | Rafael Motamayor

There are no action shows quite like "Reacher" on TV. On the surface, it's a fun-but-ridiculous series about a literally larger-than-life man with fists the size of Thanksgiving turkeys who beats the ever-living, ever-loving, compound, complex hell out of corrupt people. But the show is more than that.

1 week ago | slashfilm.com | Rafael Motamayor

Raphael Bob-Waksberg more or less reinvented adult animation when he created "BoJack Horseman." Sure, much like another adult animated show that debuted around the same time, "Rick and Morty," "BoJack" dabbled in absurdism and experimentation. But the thing that made Bob-Waksberg and Netflix's groundbreaking cartoon about a talking horse unique was the way it tackled drama.