
Randall Roberts
Editor at University of Missouri
Journalist at Freelance
Writer, Editor and Curator at In Sheep's Clothing hifi
Write/Edit/Select: In Sheep's Clothing, Qobuz; ex-LA Times. Insta: @liledit. I develop/implement integrated marketing tactics to actualize key strategic goals.
Articles
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1 week ago |
insheepsclothinghifi.com | Randall Roberts
Ten years ago the Bitchin’ Bajas and Natural Information Society released Automaginary, their first joint transmission, a drifting, radiant thing that felt less recorded than conjured. At the time, Chicago’s jazz scene was just starting to draw international attention for its vibrant, interwoven community of improvisers, lifers and deep listeners. That record didn’t ride the wave so much as help stir it, blending modal repetition, analog haze and meditative pulse into something closer to ritual.
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1 week ago |
insheepsclothinghifi.com | Randall Roberts
Note: This profile of John Zorn was originally published in Musician Magazine in 1985. Written by Peter Watrous under the title “Raw, Funny, Nasty, Noisy New Music From a Structural Radical,” it captures Zorn in the early stages of his now-legendary career—restless, irreverent and already reshaping the boundaries of experimental sound.
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1 week ago |
insheepsclothinghifi.com | Randall Roberts
Few artists possess the rare ability to transform their primary instrument, bending it entirely to their will and pushing it beyond its natural limits. The pedal steel guitarist Susan Alcorn, who died late last week, was one such musician.
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2 weeks ago |
insheepsclothinghifi.com | Randall Roberts
“I have a problem with choosing an instrument,” Ghanaian musician and producer Kwame Yeboah said in an old interview. “I think I’ve just gotten used to playing different instruments. I go through phases, I go through moods. I might have been a bit of a chameleon when it comes to that … I mean, I wish I could play all at the same time. I love multitasking.”He means it.
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2 weeks ago |
insheepsclothinghifi.com | Randall Roberts
Late-night television was a singular platform in the 1980s, especially the independent station KTTV Channel 11 in Los Angeles. A playground for the strange, the subversive, and the unexpected, programs like Peter Ivers’ New Wave Theatre, Elvira vehicle Movie Macabre, and syndicated music series Night Flight thrived in the after-hours blur.
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