
Raoul Hernandez
Music and Senior Editor at The Austin Chronicle
Asst. Professor, UT School of Journalism & Media; writer/editor, The Austin Chronicle, since 1992; Decibel magazine powerslave beginning 2016
Articles
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1 week ago |
austinchronicle.com | Derek Udensi |Carys Anderson |Raoul Hernandez |Michael Toland
Keep your ears open for these shows Nakia Friday 30, Waterloo RecordsEarlier this month, when Shinyribs serenaded Waterloo Records, emotions ran heavy in the knowledge of the group’s final live appearance at that location. Expect no less from Nakia. A semifinalist on The Voice and perennial Austin City Limits television show attendee, the South Austin soul man runs deep through the local scene lore.
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4 weeks ago |
austinchronicle.com | Derek Udensi |Carys Anderson |Raoul Hernandez |Michael Toland
Sounds all over town and all over the musical spectrum Tedeschi Trucks Band Thursday 8 - Friday 9, Moody AmphitheaterThe Moody Amphitheater has become a jewel in Austin’s venue firmament.
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1 month ago |
austinchronicle.com | Derek Udensi |Carys Anderson |Kahron Spearman |Raoul Hernandez
Local shows worth your admission this week Friday 18, MohawkGeorge Clanton – not to be confused with legendary Parliament-Funkadelic bandleader George Clinton – makes the type of trippy, nostalgic electronic music that the kids in 2010 used to call vaporwave.
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2 months ago |
austinchronicle.com | Derek Udensi |Carys Anderson |Michael Toland |Raoul Hernandez
All kinds of sounds can be found around town Friday 4, 29th Street BallroomAnyone into jangly power pop and/or zippy post-punk should be aware of this co-headlining tour. Toronto duo Ducks Ltd.
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2 months ago |
austinchronicle.com | Derek Udensi |Carys Anderson |Raoul Hernandez |Kimberley Jones
Your guide to the week in live sound Thursday 20, 29th Street Ballroom“Focusing euphoria out of chaos,” marveled the Chronicle during SXSW 2019, KOKOKO!’s Austin “debut felt like a tribal drum circle inside a futuristic nightclub.” Looking like Devo in yellow trashmat suits, the Kinshasa krewe from the Democratic Republic of Congo’s capital brandished shantytown instruments made out of junk and electrified into a hair-raising percussive clamor.
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