
Rebecca Mead
Staff Writer at The New Yorker
Staff writer @NewYorker; author of HOME/LAND and MY LIFE IN MIDDLEMARCH
Articles
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2 weeks ago |
newyorker.com | Rebecca Mead
In March, an exhibition of works by Jenny Saville, the British artist known for her large-scale figurative paintings, went on display at the Albertina Museum, in Vienna. The day before the opening, Saville visited the galleries to inspect the completed hang. The show, titled “Gaze,” included several works in which Saville had sought to explore the fractured experience of life in the digital era.
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2 weeks ago |
flipboard.com | Rebecca Mead
1 hour agoVisiting a corporate museum might not sound like Tokyo’s most compelling tourist activity. But in this instance, I would be inclined to disagree. For any beauty lover – or those with an interest in photography, graphic design, architecture, art direction or fashion, for that matter – Shiseido’s …
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Mar 18, 2025 |
newyorker.com | Rebecca Mead
In today’s newsletter, Rebecca Mead with a deeply reported portrait of Jonathan Anderson, the creative director who just announced his departure from the luxury brand Loewe. And then, E. Tammy Kim looks at the DOGE cuts that could harm military servicemembers, in her latest installment of the Deep State Diaries.
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Mar 17, 2025 |
businessandamerica.com | Rebecca Mead
Meeting him at the Prado made good sense, though. Anderson is a serious collector of ceramics and paintings, and he is also a patron of the arts: he inaugurated the now annual Loewe Craft Prize and is on the board of the Victoria & Albert Museum, in London.
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Mar 17, 2025 |
newyorker.com | Rebecca Mead
In one of the grandest galleries of the Museo del Prado, in Madrid, two large canvases are displayed alongside each other—an “Adam and Eve” painted by Titian, around 1550, and another rendering of the subject by Peter Paul Rubens, made eight decades later. In both, a shaggy-haired Adam, seated on the left, extends an arm in a futile attempt to prevent an intoxicated-looking Eve from plucking a shiny apple from the Tree of Knowledge, in which a serpentlike creature lurks.
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"A lyrical, often elegiac inquiry into the nature of place and identity"—thank you @jamesbpcook for this wonderful review of HOME/LAND

My review of @Rebeccamead_NYC 's excellent 'Home/Land' in this week's TLS @TheTLS https://t.co/OM45BSmNMe

Such a pleasure to take part in this conversation about home and wandering @AAKnopf @GrovePressUK

THE WANDERING BOOK COLLECTOR podcast welcomes @NewYorker writer @Rebeccamead_NYC on HOME/LAND: A Memoir of Departure and Return — shifting between #NewYork and #London https://t.co/Di7JnLnprD @AKTravel_UK @tumitravel @ultimatelibrary https://t.co/Gr0yQbspY9

Delighted it reached you, thank you so much for the kind words (here and on the dust jacket)