Articles

  • 4 days ago | dallasobserver.com | Reed Jackson

    Rapper Billy Woods is one of those rare artists who asks as many questions as he's asked.Throughout our conversation, we spend most of the time talking about almost everything except, his gripping new record released on May 9 and got Best New Music by Pitchfork that uses horror and sci-fi themes to explore real-world atrocities like predatory real estate practices, drone surveillance and wartime immorality.

  • 4 days ago | spectrumculture.com | Reed Jackson

    For a band named after a fictional organization featured in a young-adult fantasy series (Philip Pullman’s His Dark Materials if you didn’t catch it), The Royal Arctic Institute have a fairly adult sound — not to be condescending toward Pullman’s work, which deals with heavy themes and morally complex situations.

  • 1 week ago | yahoo.com | Reed Jackson

    Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.Generate Key TakeawaysThe Budos Band began as an instrumental jam band, and their seventh album—arriving five years after their last full-length, Long in the Tooth (playfully referred to as the group’s entry into middle age)—stays true to those roots.

  • 1 week ago | spin.com | Reed Jackson

    The Budos Band began as an instrumental jam band, and their seventh album—arriving five years after their last full-length, Long in the Tooth (playfully referred to as the group’s entry into middle age)—stays true to those roots. The Budos may not engage in winding guitar expeditions (sorry, Phisheads), but the way they raid dozens of genres and styles (2014’s Burnt Offering envisioned a Fela Kuti-obsessed Deep Purple) while prioritizing grooves partakes of the freewheeling jam tradition.

  • 1 week ago | spectrumculture.com | Reed Jackson

    It’s been nearly 10 years since Natural Information Society and Bitchin Bajas last released a collaborative record, yet Totality picks up pretty much where 2015’s Automaginary left off, as if little time had passed.

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