Richard Jordan

3 weeks ago | thestage.co.uk | Richard Jordan

OpinionGood Night, and Good Luck, starring George Clooney, at the Winter Garden Theatre on Broadway. Photo: ShutterstockStar-studded Broadway shows may boast about their recouped costs, but misplacement and high ticket prices hint at an unsustainable model, says Richard JordanSupport The Stage by registering or subscribingTo continue reading this article you must be logged in. Register or login below to unlock 3 free articles every month.

4 weeks ago | thestage.co.uk | Richard Jordan

OpinionBetty Buckley in Dear World at the Charing Cross Theatre, London. Photo: Tristram KentonBetty Buckley’s show should be compulsory viewing for anyone interested in solo cabaret or concerts and we need more of such performances, says Richard JordanSupport The Stage by registering or subscribingTo continue reading this article you must be logged in. Register or login below to unlock 3 free articles every month. OR Or subscribe from just £7.99 and get unlimited access to thestage.co.uk.

1 month ago | thestage.co.uk | Richard Jordan

OpinionMark Rylance in Hamlet at the Royal Shakespeare Company, Stratford-upon-Avon (1989). Photo: Royal Shakespeare CompanyThe RSC’s mobile touring model vastly expanded access to live theatre, says Richard Jordan, but ongoing cuts mean its level of reach may never be replicatedSupport The Stage by registering or subscribingTo continue reading this article you must be logged in. Register or login below to unlock 3 free articles every month.

1 month ago | thestage.co.uk | Richard Jordan

OpinionMettle, written and performed by Nicholas Collett, is a gentle story that packs an unexpected punchFestivals such as Brighton Fringe are open to anyone at a time when expressions of identity and individuality are being suppressed, says Richard JordanSupport The Stage by registering or subscribingTo continue reading this article you must be logged in. Register or login below to unlock 3 free articles every month. OR Or subscribe from just £7.99 and get unlimited access to thestage.co.uk.

1 month ago | thestage.co.uk | Richard Jordan

OpinionPitch Perfect at Fringe City, Brighton Fringe 2015. Photo: David SmithAs Brighton Fringe celebrates its 20th anniversary, its position within the artistic landscape has never been more significant or necessary, says Richard JordanSupport The Stage by registering or subscribingTo continue reading this article you must be logged in. Register or login below to unlock 3 free articles every month. OR Or subscribe from just £7.99 and get unlimited access to thestage.co.uk. Remember Login