Articles

  • Jul 26, 2023 | shelfdust.com | Ritesh Babu

    By Ritesh BabuLook at the history of Western constructions of Asian identity. Look at the history of Western constructions of Asian masculinity. Look close, and look carefully at that word: constructions. These constructions are often shaped, shepherded and spread by a White Hegemony. They are not real: they’re far more about the White Hegemony and its projects, its fears, fantasies, and fetishes than any actual realities of the Asian people.

  • May 18, 2023 | tcj.com | Ritesh Babu

    Everybody at some level believes in it. It's a deeply seductive image. The image that we all want, as oppressed people, is an image of our masters finally loving us and recognizing our humanity. It is this image that keeps prostitutes with their pimps, the colonized with their colonizers and battered women with their batterers. Everybody dreams of one day being safe. -Anthony Farley, legal scholar, quoted in Silent Covenants: Brown v.

  • Apr 27, 2023 | thepopverse.com | Ritesh Babu

    Mark Waid is one of the biggest names in American superhero comics. He loves the superhero deeply, and has done so for over 50 years. But his most impassioned vision of the superhero is represented best in his work at DC Comics. And while he would depart from the publisher in the late 2000s, only to return just recently in the 2020s, Waid's legacy there is quite revealing, and worth unpacking.

  • Mar 25, 2023 | comicbookherald.com | Ritesh Babu

    ——————————————————————————————————It is often said that Watchmen is the most influential comic ever to be released. That comics wouldn’t be where they are without it, for good and for ill. But how did we get here, exactly? More to the point, just what influence did Watchmen provide to the larger world of comics? What, ultimately, is the legacy of Watchmen? Who watched the Watchmen? Rebirth hadn’t yet happened. Doomsday Clock was not a thing. Rorschach and the Watchmen TV show didn’t exist.

  • Mar 1, 2023 | denofgeek.com | Ritesh Babu

    Lang does not simply suffer from a bruised ego like Apollo in Rocky II, and nor is he the inhuman death-machine and cyborg that Dolph Lundgren’s Ivan Drago would later prove to be in Rocky IV. No, Lang represents something real and meaningful, which casts a shadow of doubt over Rocky and everything he’s come to represent. Lang has an ethos and a belief system, which neither the cheery Apollo or the grunting Drago do. They have no point to make or prove, they’re just figures for Rocky to beat.

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