Articles
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1 week ago |
cinemontage.org | Rob Feld
By Rob FeldComing off the success of “The Marvelous Mrs. Maisel,” editors Tim Streeto and Zana Bochar found themselves in familiar company but brand-new territory with “Étoile,” the latest series from Amy Sherman-Palladino and Daniel Palladino. A tale of two cities, Paris and New York, “Étoile” is a comedy-drama about two ballet companies’ struggles to survive. For Streeto, the shift in tone and structure was immediately clear.
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2 weeks ago |
cinemontage.org | Rob Feld
by Rob Feld Assembling the team to cut the murder mystery “The Better Sister” was a case study in post-production networking. Gershon Hinkson first worked with series co-creator Olivia Milch on “Ocean’s Eight.” “We immediately kind of just clicked,” Hinkson said. “When she called me for ‘The Better Sister,’ my response was ‘Hell yes!’ Because where I’m from, if it’s not a hell yes…,” Hinkson’s voice trailed off. Erica Freed was drawn to the show in part because of Hinkson.
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2 weeks ago |
cinemontage.org | Rob Feld
By Rob Feld When the editorial team behind “Fight Night: The Million Dollar Heist” came together, it was less about assembling a crew and more about aligning a mindset. Tom Wilson had worked with the executive producers previously. “When I sat down with Shaye Ogbonna, the creator, we really hit it off in terms of how we approach our storytelling,” Wilson said, noting a shared emphasis on using character to drive exposition.
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2 months ago |
cinemontage.org | Rob Feld
By Rob FeldFor editors Julia Grove, Lai-San Ho, and Howard Leder, landing on Hulu’s drama series “Paradise” felt less like a new beginning and more like a homecoming. The trio forged a tight bond cutting NBC’s family drama “This Is Us”, especially during two remote seasons through the pandemic, and all three share long-standing collaborations with showrunner Dan Fogelman.
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Feb 21, 2025 |
cinemontage.org | Rob Feld
By Rob FeldRobert Nassau’s path to film editing began as it does for many: movie nerd-dom. He knew he wanted to do something in film but didn’t know what. His first movie gig was a summer job filling out a character’s prop address book, filling out made-up addresses with different colored pens for a one-second insert shot.
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