
Rob LeDonne
Writer at Freelance
Culture/humor writer who's mostly just on Instagram (@RobLeDonne). @VogueMagazine, @Billboard, @VanityFair, @RecordingAcad
Articles
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1 week ago |
theankler.com | Rob LeDonne
I write about where music and Hollywood meet. I interviewed Benito Skinner about his collab with Charli XCX for his Prime Video comedy and spoke to White Lotus composer Cristobal Tapia de Veer about his feud with show creator Mike White. Reach me at [email protected] appeared on my Zoom screen like a wise sage, complete with a long white beard and bushy head of hair.
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3 weeks ago |
nypost.com | Rob LeDonne
It’s a festival worth its salt. Starring a who’s who of culinary icons, Keith Lee’s Family Style Food Festival is set to take over Industry City on Saturday, May 17, to assuage even the hangriest New Yawkas. “I’m more than excited,” Lee, the martial artist-turned-foodfluencer whose 17 million TikTok followers can make or break a restaurant, told The Post.
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3 weeks ago |
yahoo.com | Rob LeDonne
It’s a festival worth its salt. Starring a who’s who of culinary icons, Keith Lee is hosting the Family Style Food Festival, set to take over Industry City on Saturday, May 17, to assuage even the hangriest New Yawkas. “I’m more than excited,” Lee, the martial artist-turned-foodfluencer whose 17 million TikTok followers can make or break a restaurant, told The Post.
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4 weeks ago |
billboard.com | Rob LeDonne
El revelador documental sobre la superestrella colombiana Karol G, Mañana Fue Muy Bonito (Tomorrow Was Beautiful), ya disponible en Netflix, puede resumirse en un momento conmovedor que muestra la complicada dicotomía de la fama. “Recuerdo un concierto en particular en el MetLife Stadium”, dijo la directora del filme, Cristina Costantini, sobre una escena surrealista que se desarrolló ante sus ojos y su cámara.
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4 weeks ago |
billboard.com | Rob LeDonne
The eye-opening documentary about Colombian superstar Karol G, Tomorrow Was Beautiful (on Netflix now), can be summed up in one poignant moment that showcases the complicated dichotomy of fame. “I remember one particular concert at MetLife Stadium,” said the film’s director Cristina Costantini of a surreal scene that unfolded before both her eyes and lens. “She looked like she was living her best life on stage, performing for 90,000 people. This should be the best day of her life.
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