Robert Brian Taylor
Lead Training and Features Editor at Collider
Training/Features Editor for @Collider. A working journalist since pica poles were a thing. Dabbler in fiction writing. Contact: [email protected].
Articles
-
2 weeks ago |
collider.com | Robert Brian Taylor
Before we do anything else, we need to talk about Nicolas Cage's voice in the new Western Gunslingers. Playing a reformed outlaw who won't pick up a gun but carries a Bible around everywhere, Cage alters his speaking voice so that it's incredibly (and hilariously) low and raspy — like if Batman caught laryngitis. The in-movie reason for this is left a bit vague; he's also coughing at one point, so maybe it's a sign of lingering illness or injury.
-
3 weeks ago |
yahoo.com | Robert Brian Taylor
As a regular user of the M25, I should be relieved. As a snooker fan, I should be thrilled. As an art lover (of sorts) I ought to celebrate. In fact, I should be kneeling before Just Stop Oil and giving profuse thanks for their announcement that, having achieved their objective of changing government policy, they will now desist from “direct action”. But I feel none of that. Instead, I am livid as hell. Not just at Just Stop Oil, which goes without saying, but at our lily-livered Government.
-
2 months ago |
collider.com | Robert Brian Taylor
Old-guy hitman movies have been on a roll lately with Liam Neeson's In the Land of Saints and Sinners and Ian McShane's American Star (both released last year) proving to be strong recent entries in the genre. It's too bad then that Christoph Waltz's new addition to the canon, which is quite literally titled Old Guy, can't keep the good times going.
-
2 months ago |
collider.com | Robert Brian Taylor
Collider's Robert Brian Taylor talks with Nickel Boys co-writer and director RaMell Ross about the film's two Academy Award nominations. Nickel Boys, adapted from Colson Whitehead's Pulitzer Prize-winning novel and now a Best Picture nominee, tells a powerful story from a first-person POV perspective. In this interview, Ross discusses the impact of Nickel Boys' award-season success, the film's unique POV, and documentary versus narrative filmmaking.
-
2 months ago |
collider.com | Robert Brian Taylor
Dark Match attempts to take two of our biggest cult entertainments — horror movies and professional wrestling — and smash them together into a hybrid amusement that will appeal to fans of either. Unfortunately, the resulting movie isn't strong enough to appease both groups unconditionally and will likely only serve as a curio to those who are as psyched for WWE Raw as they are the next big slasher movie.
Try JournoFinder For Free
Search and contact over 1M+ journalist profiles, browse 100M+ articles, and unlock powerful PR tools.
Start Your 7-Day Free Trial →X (formerly Twitter)
- Followers
- 787
- Tweets
- 19K
- DMs Open
- Yes
https://t.co/dWUP0hyizC
RT @robertbtaylor: Me and Liam Neeson, round two! This time we chat about his new crime thriller Absolution, which releases in theaters tom…
Me and Liam Neeson, round two! This time we chat about his new crime thriller Absolution, which releases in theaters tomorrow. We also talk The Naked Gun and why he's in no hurry to do another superhero movie. https://t.co/Nsu9QejA68
