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2 months ago | 
cinematography.world | Ron Prince |Kirsty Hazlewood
By Ron PrinceThis article originally appeared in Issue 23 of Cinematography World. In Camera, director Naqqash Khalid’s scathing satire about identity, tokenism and showbiz, stars Nabhaan Rizwan as Aden, a British-Asian twenty-something who yearns for success as an actor.
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2 months ago | 
cinematography.world | Ron Prince |Kirsty Hazlewood
By Ron PrinceThis article originally appeared in Issue 20 of Cinematography World. Shooting on Kodak, French DP Hélène Louvart AFC blended 35mm, Super16mm and 16mm camera formats to fuse reality with fantasy for Alice Rohrwacher’s acclaimed La Chimera. Set in Tuscany during the 1980s, the film follows Arthur, a dishevelled, chain-smoking and once-respectable English archaeologist.
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Mar 7, 2024 | 
cinematography.world | Ron Prince |Kirsty Hazlewood
By Ron PrinceDirector İlker Çatak’s acclaimed feature, The Teachers’ Lounge, delivers a taut and unnerving study into how one small incident can proliferate into serious misunderstandings, suspicion, intimidation and cultural clashes. When one of her high-school students is suspected of theft, idealistic teacher Carla Nowak tries to get to the bottom of things. However, she soon gets caught between her principles and the school system, with volatile consequences that might just break her.
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Mar 7, 2024 | 
cinematography.world | Ron Prince |Kirsty Hazlewood
By Ron PrinceShot on KODAK 35mm film for the big screen, by Irish cinematographer Suzie Lavelle ISC BSC, director Mahalia Belo’s The End We Start Fromis an intimate studyabout theinstinctfor maternal survival. The dystopian thriller, follows an unnamed woman who goes into labour and gives birth to a child, named Zeb, as London becomes submerged by an apocalyptic flooding disaster.
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Mar 7, 2024 | 
cinematography.world | Ron Prince |Kirsty Hazlewood
By Ron PrinceSaint Omer, the first narrative feature from documentary-maker Alice Diop, is a profoundly-affecting, cinematically-inventive and ultimately spellbinding courtroom procedural about Laurence, a French-Senegalese mother on-trial for infanticide. Laurence stands accused of leaving her helpless child to drown on a beach near Calais, and readily admits her guilt. Rama, an author and university professor, witnesses the court proceedings, hoping it will help her with a novel she is planning.
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Jan 4, 2024 | 
cinematography.world | Ron Prince |Kirsty Hazlewood
(Published in Cinematography World – Issue 015 May/June 2023)By Ron Prince“This award shows that small British TV dramas can still be mighty,” said Oscar and BAFTA-winning actress Kate Winslet CBE, as she accepted the statuette for Leading Actress at the 2023 BAFTA Television Awards for her performance in I Am… Ruth. It was the second award of the night after the production also picked-up the gong for Best Single TV Drama.
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Jan 4, 2024 | 
cinematography.world | Ron Prince |Kirsty Hazlewood
(Published in Cinematography World – Issue 016 July/August 2023)By Ron PrinceShot on Kodak 35mm colour and B&W filmstocks by DP Robert Yeoman ASC, Wes Anderson’s wry sci-fi comedy, Asteroid City, earned a six-minute standing ovation after premiering in-competition at the 2023 Cannes Film Festival, plus rapturous praise from film critics worldwide for its enthralling, eccentric narrative and exhilarating visual appeal. It goes on worldwide release in the summer of 2023.
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Jan 4, 2024 | 
cinematography.world | Ron Prince |Kirsty Hazlewood
(Published in Cinematography World – Issue 017 September/October 2023)By Ron PrinceShooting on Kodak 35mm film, Antiguan DP Shabier Kirchner created an air of radiant romance for Celine Song’s debut feature, Past Lives, a story about long-lost childhood sweethearts reconnecting as adults. The film opens in a bar, where Hae Sung (Teo Yoo), Nora (Greta Lee) and Arthur (John Magaro) are observed by an unseen couple who try to guess the relationships between them.
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Jan 3, 2024 | 
cinematography.world | Ron Prince |Kirsty Hazlewood
(Published in Cinematography World – Issue 015 May/June 2023)By Ron PrinceDP Charlotte Bruus Christensen ASC used Kodak 35mm to create alluring looks for Apple TV+’s confidence-trick thriller Sharper. Directed by Benjamin Caron for Apple TV+, the neo-noir thriller, Sharper, is presented in a series of interwoven chapters, each focusing on different characters, in a non-linear story about ruthless deception to swindle billions of dollars where no-one is quite who they seem.
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Jan 3, 2024 | 
cinematography.world | Ron Prince |Kirsty Hazlewood
(Published in Cinematography World – Issue 014 March 2023)BITTER PILLBy Ron PrinceCaptured on Kodak 35mm film, by DP Benjamin Loeb, director Kristoffer Borgli’s visceral comedy, Sick Of Myself, satirises the trend of narcissistic obsession and performative victimhood. Signe (Kristine Kujath Thorp) and Thomas (Eirik Sæther) are an unhealthily-competitive couple, engaged in a constant game of petty one-upmanship.
