Articles

  • Oct 29, 2024 | newcriterion.com | Gary Saul Morson |Victor Davis Hanson |Ronald S. Lauder |Glenn Ellmers

    Among the instruments Manoucher Yektai used to accomplish his paintings are brushes, spatulas, blocks of wood, trowels, scalpels, and whips. When an image came to him and demanded its fullest expression, any old tool would do. The landscapes now on display at Karma burst with the energy of a man at the mercy of his evanescent inspiration.

  • Oct 29, 2024 | newcriterion.com | Gary Saul Morson |Victor Davis Hanson |Ronald S. Lauder |Glenn Ellmers

    Recent stories of note:“On Chaïm Soutine”Michael Hofmann, London Review of BooksWhen Amedeo Modigliani painted his fellow artist Chaïm Soutine in 1916 and again the following year, the resulting works were more or less orderly, the young man’s features carefully hemmed in by dark outlines. Not so for the subjects of Soutine’s paintings, however.

  • Oct 29, 2024 | newcriterion.com | Gary Saul Morson |Victor Davis Hanson |Ronald S. Lauder |Glenn Ellmers

    Fiction:Russell Kirk. Photo courtesy of the Russell Kirk Center for Cultural Renewal. “Conservatism and the Masters of Gothic Horror” with Luke Sheahan, James Panero & Adam Simon (October 29): “Mine was not an Enlightened mind,” Russell Kirk famously said of himself. “It was a Gothic mind, medieval in its temper and structure.

  • Oct 28, 2024 | newcriterion.com | Gary Saul Morson |Victor Davis Hanson |Ronald S. Lauder |Glenn Ellmers

    The Mahler Third is the longest symphony, at least in the standard repertoire. But we should not make too much of length: it is one of the greatest works of music we have. Is it your favorite Mahler symphony? Your favorite of the nine? (There is also a movement of a tenth, complete, true.)It is often said that we have different favorite Shakespeare plays depending on our time of life. Young people, for example, love Julius Caesar. Older people understand King Lear.

  • Oct 25, 2024 | newcriterion.com | Gary Saul Morson |Victor Davis Hanson |Ronald S. Lauder |Glenn Ellmers

    Recent stories of note:“The ghostly worlds of Goya and Paula Rego”Tim Smith-Laing, ApolloGoya’s late-life print series the Disparates is full of figures with vague eyes swallowed by shadows, as well as animals and anthropomorphic creatures, distorted and malign. Differing from his Caprichos and Desastres series, with their cartoonlike and witty captions, the Disparates are his least legible prints and are all the more unsettling for it.

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