
Rosa Ellen
Articles
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5 days ago |
abc.net.au | Michael Cathcart |Rosa Ellen |Catherine Pryor
Choreographer Stephanie Lake and composer Robin Fox are partners in work and life, though they come from 'different worlds' artistically. Their latest collaboration is the joyful The Chronicles, which follows the rhythms of a life cycle, from birth to death — or is it renewal? Eddie Perfect's Broadway musical Beetlejuice has received rave reviews for its re-interpretation of Tim Burton's classic 1988 film.
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1 week ago |
abc.net.au | Michael Cathcart |Rosa Ellen |Catherine Pryor
It’s one of those roles which great actors have on their to-do list: Winnie in the play Happy Days by Samuel Beckett. Winnie starts the play buried up to her waist in dirt. In Act 2 she’s buried up to her neck! Acclaimed actor Pamela Rabe tell us what makes this such an iconic play and how she approached it as both co-director and star of Happy Days for the Sydney Theatre Company.
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2 weeks ago |
abc.net.au | Michael Cathcart |Rosa Ellen |Cathy Pryor |Tim James
What does it take to write a Tony-winning musical? Lynn Ahrens and Stephen Flaherty are the friends and songwriting team behind big Broadway musicals like RagtimeandAnastasia. They're also voting members for New York City's famous theatre industry prize, the Tony Awards. They join us as Tony Awards season takes off. Back stage... The make up artist.
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3 weeks ago |
abc.net.au | Michael Cathcart |Rosa Ellen |Cathy Pryor |Carey Dell
Legendary French singer Edith Piaf was a firecracker of emotion. Gutsy and seductive, while underneath -- an intense fragility. That’s the legend. But what’s it like to play a legend, show after show, year after year? Cabaret singer Nathalie Lermitte has been inhabiting the icon Piaf for well over a decade. Top Shelf with Josh Piterman. Josh Piterman is an Australian musical theatre star who’s used to donning all kinds of masks, especially as the Phantom of the Opera on London's West End.
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1 month ago |
abc.net.au | Michael Cathcart |Rosa Ellen |Catherine Pryor |Timothy James
When Cree-Salteaux theatre-maker Margo Kane started trying out for theatre gigs in Canada in the 1970s, there were so few roles for Indigenous actors, she ended up auditioning for the same part more than once. That all changed when she wrote her own one woman show, Moonlodge that became a classic of Canadian theatre. She's in Australia to show her new one-woman show, and reflect on her career.
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