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Ruben C. Cordova

Texas

Curator and Writer at Freelance

Articles

  • 1 week ago | glasstire.com | Ruben C. Cordova

    This is the story of three tattooed men, and in particular, how tattooed men of color are regarded in the U.S. We begin with Vincent Valdez’s So Long, Mary Ann (2019), which hung at the entrance to his recent exhibition in Houston (click here for my Glasstire review). The museum label connected the painting to Leonard Cohen’s 1967 song “So Long, Marianne,” with the following lyrics:For now, I need your hidden love.

  • 1 month ago | glasstire.com | Ruben C. Cordova

    This article is about the friendship between two highly distinguished cultural workers, both of whom relocated to San Antonio. When the Puerto Rican-born painter Ángel Rodríguez-Diaz (1955-2023) encountered the writer Sandra Cisneros at a party in San Antonio, he was struck by her look, and he invited her to pose for him in New York, where Rodríguez-Diaz lived and worked. Cisneros, originally from Chicago, had moved to San Antonio in 1984.

  • 1 month ago | glasstire.com | Ruben C. Cordova

    In a mid-career survey exhibition that fills both floors of the Contemporary Arts Museum, Houston (CAMH), Vincent Valdez’s (b. 1977) “Just a Dream…” demonstrates a dazzling mastery of the human form, keen sensitivity to social and political injustices, and – with his finger always on the pulse of American culture – a remarkable handling of allegorical narratives and political reportage.

  • 2 months ago | glasstire.com | Ruben C. Cordova

    Gauguin in the World, a revisionist survey exhibition of the Post-Impressionist artist Paul Gauguin (1848–1903), features 150 of the influential, talented, and controversial artist’s works, drawn from 65 collections. It was curated by Henri Loyrette, a nineteenth-century specialist who is a former director of both the Louvre and Musée d’Orsay. Loyrette is currently an independent curator.

  • Nov 15, 2024 | glasstire.com | Ruben C. Cordova

    IntroductionAs a byproduct of a five-year, $150 million and the HVAC system in the Metropolitan Museum of Art’s European Paintings galleries (#600-644), the department’s staff has reconceptualized and reorganized its presentation of around 700 paintings from around 1300-1800.