Ryan Lattanzio
Executive Editor and Co-Host, Screen Talk at IndieWire
Deputy Editor of Film and co-host of “Screen Talk” @indiewire. Garden-variety firecracker. “You know I can’t handle hard news before noon.”
Articles
-
1 day ago |
indiewire.com | Ryan Lattanzio
Laurent Cantet, the beloved French filmmaker who directed 2008 Cannes Palme d’Or winner “The Class,” died in April 2024 of cancer before he could see what would have been his last movie to completion. That film, “Enzo,” is now directed by his friend of 40-plus years, Robin Campillo, the French director best known for his 2017 Cannes Grand Prize winner “BPM,” one of the most poignant movies ever made about the HIV/AIDS crisis (and about queer identity in general).
-
5 days ago |
indiewire.com | Anne Thompson |Ryan Lattanzio
As your “Screen Talk” co-hosts Anne Thompson and Ryan Lattanzio pack for Cannes, we preview the hot titles for sale, the studio marketing launches, the possible Competition prize contenders, and the movies that have already released trailers. We speculate about the potential brought by President Trump’s latest proposal of a 100 percent tariff on movies filmed overseas. And we preview the summer lineup.
-
5 days ago |
yahoo.com | Anne Thompson |Ryan Lattanzio
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article.
-
5 days ago |
ca.news.yahoo.com | Anne Thompson |Ryan Lattanzio
As your “Screen Talk” co-hosts Anne Thompson and Ryan Lattanzio pack for Cannes, we preview the hot titles for sale, the studio marketing launches, the possible Competition prize contenders, and the movies that have already released trailers. We speculate about the potential brought by President Trump’s latest proposal of a 100 percent tariff on movies filmed overseas. And we preview the summer lineup.
-
5 days ago |
indiewire.com | Ryan Lattanzio
Are the guys OK? So rarely do we get smart, subversive screen comedies about male friendship these days, and writer/director Andrew DeYoung’s feature directing debut “Friendship” turns the genre inside out.
Try JournoFinder For Free
Search and contact over 1M+ journalist profiles, browse 100M+ articles, and unlock powerful PR tools.
Start Your 7-Day Free Trial →X (formerly Twitter)
- Followers
- 1K
- Tweets
- 4K
- DMs Open
- No
I spoke to Sarah Polley about length about many things besides THE STUDIO — from a critic who told off TAKE THIS WALTZ to her face after a press screening to where the legacy of Alice Munro, whose story she adapted for AWAY FROM HER, stands after last year’s unsettling news.
Sarah Polley on Her ‘The Studio’ Cameo, the Myth of the ‘Mad Unwieldy Genius,’ and Alice Munro’s Complicated Legacy https://t.co/ZMpvSB0Kqb
RT @IndieWire: Todd Solondz on ‘Palindromes’ Restoration and His Stalled ‘Love Child’: ‘It Could Happen Tomorrow… Or It Could Never Happen’…
this movie rules
‘Dreams’ Review: Jessica Chastain Gives a Daring Performance in Michel Franco’s Most Powerful Film Yet https://t.co/m21Rz9G4M9