Articles

  • 1 week ago | metroweekly.com | Ryan Leeds |Randy Shulman |André Hereford

    Obsession with eternal youth has always been a hot topic. Theatergoers who can’t get enough of the theme are in luck, as three New York shows prominently feature the idea of enduring beauty: a Broadway stage adaptation of the 1992 comedy Death Becomes Her has two dueling divas battling it out in comic fashion after drinking a potion that halts the aging process.

  • 1 week ago | manhattandigest.com | Ryan Leeds

    “Start big, finish big, and they’ll forgive everything in between,” goes the age-old show business proverb. Yet if neither the start nor finish is strong, the forgiveness will be scarce. Such is the case with Take the Lead, a world premiere musical currently playing at Paper Mill Playhouse. True stories make excellent material for entertainment and Pierre Dulaine’s life is no exception. (Dulaine was interviewed by this publication in 2014).

  • 2 weeks ago | metroweekly.com | Ryan Leeds

    Purpose – Photo: Marc J. FranklinFame’s a bitch. Especially when it’s weighted down by baggage. Such is the case for the Jaspers, a prominent, Chicago-based, politically well-connected Black family who continue their usual brand of chaos when Solomon “Junior” (Glenn Davis) arrives home for a visit. He’s a state senator who has just been released from prison after 24 months in prison after embezzling campaign funds and committing wire fraud.

  • 2 weeks ago | metroweekly.com | Ryan Leeds

    Glengarry Glen Ross: Kieran Culkin and Bob Odenkirk – Photo: Emilio MadridYou would think that, by now, reasonable theatergoers would be exhausted by angry, self-serving bloviates who unleash profanities and cruel language on each other and anyone within earshot. Obviously, there is more demand for it, as David Mamet’s 1984 Pulitzer Prize-winning Glengarry Glenn Ross is back on Broadway for a third time.

  • 3 weeks ago | metroweekly.com | André Hereford |Ryan Leeds |Randy Shulman

    Thunderbolts*Studios and indie distributors are seemingly taking a machine gun approach to theatrical releases for the upcoming film season, rat-a-tat-tatting a barrage of movies at audiences every week of the early spring and late summer. Then, notably, on the lucrative deep-summer dates, fresh choices at the cinema dry up to one or two new wide releases per weekend.