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Saarthak Johri

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  • Sep 29, 2024 | michigandaily.com | Saarthak Johri

    After a lengthy opening credits sequence featuring the oft-mishandled merc with a mouth that is Deadpool (Ryan Reynolds, “X-Men Origins: Wolverine”) dancing with a skeleton (among other things) to NSYNC’s “Bye Bye Bye,” the titular antihero apologizes for some of the “necrophilic” vibes he may be putting out. For the next two hours of “Deadpool & Wolverine,” that initial affectation never really goes away.

  • Sep 8, 2024 | michigandaily.com | Saarthak Johri

    Content warning: Mentions of abuse and suicide. It has happened again. And so again, I perform my little ritual: I lock the door, sit up on my bed, put my earbuds in, take out my phone and begin to dig.

  • Sep 3, 2024 | michigandaily.com | Saarthak Johri

    Before I was ever introduced to Superman or Spider-Man, or even any concept of any superhero at all, I had one idol, one figure whom I wanted to be more than anything: Hanumanji. I would try to replicate his godly feats of strength, would climb anything I saw to imitate the ape demigod and even broke my collarbone trying to leap through the air like him. Dev Patel (“The Green Knight”) similarly broke his hand in the first week of filming “Monkey Man” doing exactly what I did: attempted godhood.

  • Sep 1, 2024 | michigandaily.com | Saarthak Johri

    One morning two and a half years ago, I found myself on all fours on my bathroom floor, my heart pounding in my ears as I prepared to throw up in my toilet. Nothing would come, so I struggled to get back to my feet. What I saw as I stood took me aback: a shaggy-haired, wide-eyed, frightened mess of a creature. It met my eyes in the mirror and the fear in the creature’s eyes only grew when I realized it was me. I’m expecting this one to pour out of me. Or, at least I desperately hope it will.

  • Aug 23, 2024 | michigandaily.com | Saarthak Johri

    In 1969, psychiatrist and near-death studies pioneer Elisabeth Kübler-Ross defined what she called the five stages of grief in her book “On Death and Dying,” taken from her observations of terminally ill patients processing their impending deaths. The Kübler-Ross model initially extrapolated these experiences from the patients, then extended it to those who processed their loss. Today, loss and grief fill our social media feeds, often following the same patterns.

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