Articles

  • Jan 8, 2025 | bubblegumclub.co.za | Sabrina Roman |Thembeka Heidi Sincuba |Lindiwe Mngxitama |KNeo Mokgopa

    One question played recurrently throughout my mind as I went through the motions of Nikhil Vettukattil’s ‘Defund The Police’ exhibition with Arcadia Missa. This being, “Who precisely is watching who?” It doesn’t make this facile to interrogate on the observer’s part, and something gives me the impression this exhibition, with its numerous, surveillance nodding TV screens and couches that are positioned in full view of the windows on either side, isn’t supposed to.

  • Dec 16, 2024 | trebuchet-magazine.com | Sabrina Roman

    A nefarious nostalgia suffused Soup London’s Welcome To The Island Of Misfit Toys art exhibition. Take participating artist DaddyBears’ riffing off a previously condemned doll’s house with bulging baby-pink stuffing and flimsy hand-rendered embroidery. Or Dean JF Hoy’s pensive band of Bears Who Care, which straddled the paradigm between the innocence of youth and the cynicism of adulthood by being mounted to the front grille of a Dodge pick-up.

  • Dec 11, 2024 | bubblegumclub.co.za | Sabrina Roman |Thembeka Heidi Sincuba |Lindiwe Mngxitama |KNeo Mokgopa

    Impression and expression, both are quickly becoming ingrained into the DNA of Basalto Collective, whose philosophy is to emphasise the artistry of Mexico, before coalescing it with contemporary design. They are also two idioms that are continuously being sculpted, forged, and created, by the designers its founder, Paulina Reséndez chooses to platform.

  • Dec 8, 2024 | emergentmag.com | Sabrina Roman

    “Commodities promise to lift and separate people from feelings of inadequacy and unloveliness, but they can also betray us, give us dirty looks, and make us feel unworthy of them.”– Rhonda Lieberman, Artforum (1992)“We live in capitalism, its power seems inescapable – but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art.”– Ursula K.

  • Dec 7, 2024 | emergentmag.com | Sabrina Roman

    One lonesome sunflower desperately reaches for daylight inside number 60 Walker St, New York. Inevitably, this bloom is going to wither and droop, its leaves will shrivel and curl into themselves and the presence it once occupied will be consumed by something. If anything, this would most likely be another imitation of the flora given this is where Stuart Middleton’s 18 art show at Chapter NY has found its roots.

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