Articles
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Dec 30, 2024 |
montecristomagazine.com | Sam Wiebe
An arsenal “large enough to start a small-scale war.” These words from The Province could have just as easily referred to the variety of genuine firearms used by John Rambo in First Blood. The film launched a blockbuster franchise for its star Sylvester Stallone and put the B.C. town of Hope on theatre screens across the world. But on Tuesday, January 26, 1982, First Blood was making news for the shocking robbery of restricted firearms from the film’s North Shore set.
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Nov 18, 2024 |
montecristomagazine.com | Sam Wiebe |Francesco Zorzi
Call it research. I went down to the riot because I wanted to know what tear gas smelled like. A writer should know such things, I thought. Be familiar with humanity in extremes. They say write what you know, but who knows anything, really? In 2011, I was still at community college, part of a cohort of wannabe writers. I was failing screenwriting, despite the many Richard Price scripts I read and plagiarized.
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Oct 30, 2024 |
montecristomagazine.com | Sam Wiebe
Author Stephen King has long been associated with his home state of Maine. The fictional Maine towns of Derry and Castle Rock recur throughout the horror icon’s work. It may then surprise some to learn how vital B.C. has been in establishing the geography of early King adaptations, namely TV projects from the 1990s. In It, six adults return to Derry to face the nameless monster that tormented them in childhood.
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Oct 16, 2024 |
montecristomagazine.com | Sam Wiebe
Antigen. Genecore. Groundstar. Bartok Industries. More nefarious and twisted science experiments have been conducted on the grounds of Simon Fraser University’s Burnaby campus than any other place in the country—at least on film. Since its construction in 1965, SFU has been a frequent location for movie and television productions.
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Sep 25, 2024 |
montecristomagazine.com | Sam Wiebe
In the late 1970s, during a run of critical and commercial successes including M*A*S*H, Kelly’s Heroes, Klute, Don’t Look Now, Invasion of the Body Snatchers, and Animal House, Donald Sutherland made a pair of films in British Columbia in quick succession. The espionage thriller Bear Island and the romantic crime caper A Man, a Woman and a Bank (both 1979) allowed the actor to play traditional leading roles rather than the offbeat character parts he was known for.
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