Articles
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2 days ago |
russh.com | Samantha Corry
Rachel Rutt has always been moving. Across continents, across mediums, across the delicate lines of identity that come with being many things at once – model, artist, child of migration. With Portals, her first solo exhibition at China Heights, this movement becomes method. Woven from hand-dyed silk and suspended in space, the works seem to breathe. They shimmer. They shift. They ask what it means to adapt and at what cost.
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4 days ago |
russh.com | Samantha Corry
Orion Carloto has long blurred the lines between life and literature. A filmmaker, poet and visual storyteller, she first emerged from the quiet folds of a small town in Georgia. Today, she exists in a world of her own making: composed of 35mm stills, diaristic prose, and the scent of old paperbacks left open by the window. Her work holds space for the romantic, the restless, the ruinously tender.
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6 days ago |
russh.com | Samantha Corry
Mornings at Bundanon begin in a wash of mist over the Shoalhaven River. The stillness isn’t empty, but alive with birdsong, eucalyptus, and the quiet insistence of the bush. RUSSH Editor-in-Chief Jess Blanch spent a weekend here recently, visiting the first exhibition by contemporary artists of the 2025 season at Bundanon. Bundanon is an art museum, wildlife sanctuary, and cultural institution on Sydney's South Coast, which is now open to the public as a site for art, residency and reflection.
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1 week ago |
russh.com | Samantha Corry
The beloved story of The Talented Mr. Ripley has seen a resurgence recently. First with Ripley-inspired antics in Emerald Fennell’s Saltburn, followed by Netflix’s monochrome adaptation Ripley, and now, the kooky and kinky story is now making its way to Sydney, on stage. The psychological thriller written by Patricia Highsmith will be brought to life by the Sydney Theatre Company this August, adapted for theatre by playwright Joanna Murray-Smith and directed by Sarah Goodes.
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1 week ago |
russh.com | Samantha Corry
Capsule wardrobe. A phrase that sounds definitive, confident and minimal. And yet, in practice, it’s anything but. Supposedly simple, but somehow tangled in Pinterest boards, and a hundred open tabs comparing the perfect white tee. A capsule wardrobe isn’t about uniformity. It’s not about dressing in one particular way, but it’s about choosing pieces that outlive trends, not because they’re boring, but because they belong to you. A blazer that actually fits your shoulders. A tank that washes well.
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