Articles
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1 week ago |
russh.com | Samantha Corry
There’s something beguiling about Aimee Lou Wood. A kind of sweet, strange duality that draws you in. One moment, she’s earnestly professing her love for miniature mouse figurines on Instagram, the next, she’s delivering some of the most emotional performances we've ever seen. And it's this blend of charm and candour that’s made her one of Britain’s most magnetic screen presences. Since winning our hearts as Amy in Sex Education, Wood has carved a career that dances between theatre and screen.
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1 week ago |
russh.com | Samantha Corry
For a while, I thought the romantic comedy had lost its way. Just thinned out. Softened into the kind of film that coasts on charm and nostalgia rather than tension or interiority. All glossy New York real estate, no emotional scaffolding. A genre built less on longing and more on tropes we’ve learned to predict within minutes. The formula wasn’t broken, but it felt tired. And then I watched Materialists by Celine Song. The premise of the film is deceptively simple. A woman is caught between two men.
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2 weeks ago |
russh.com | Samantha Corry
Now that it has been just over a year since Challengers, we are currently living in a PC (post-Challengers) world, where we have officially exhausted the group-chat discourse over who we would have chosen in Tashi Duncan's love triangle. But fear not a fresh entanglement glides into view with Materialists.
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3 weeks ago |
russh.com | Samantha Corry
Rachel Rutt has always been moving. Across continents, across mediums, across the delicate lines of identity that come with being many things at once – model, artist, child of migration. With Portals, her first solo exhibition at China Heights, this movement becomes method. Woven from hand-dyed silk and suspended in space, the works seem to breathe. They shimmer. They shift. They ask what it means to adapt and at what cost.
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3 weeks ago |
russh.com | Samantha Corry
Orion Carloto has long blurred the lines between life and literature. A filmmaker, poet and visual storyteller, she first emerged from the quiet folds of a small town in Georgia. Today, she exists in a world of her own making: composed of 35mm stills, diaristic prose, and the scent of old paperbacks left open by the window. Her work holds space for the romantic, the restless, the ruinously tender.
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