Sarah Lonsdale

1 week ago | the-tls.co.uk | Darren Freebury-Jones |David Horspool |Mia Walby |Sarah Lonsdale

For Iago in Othello, to be robbed of a “good name” is to be “poor indeed”. In Editing Archipelagic Shakespeare, Rory Loughnane and Willy Maley contend that much power lies in naming. This short book belongs to the Cambridge Elements in Shakespeare and Text series, co-edited by Loughnane and Claire M. L. Bourne, the aim of which is published bursts of scholarship: scholarship “that challenges – and pushes beyond – the conventional parameters of Shakespeare and textual studies”.

Oct 29, 2024 | remodelista.com | Sarah Lonsdale

This week, in the spirit of savoring every last bit of the season, we’re revisiting some of our favorite summery stories, like this one:When it comes to the evening tipple, no need for a crystal goblet (especially if the vintage on offer is a go-to everyday table wine). A simple, sturdy, chuck-in-the-dishwasher, double-as-water-glass vessel does the trick. Here’s a roundup of our favorites:Shopping for the oenophile in your life?

Sep 4, 2024 | the-tls.co.uk | Sarah Lonsdale

XWe Need Your ConsentWe and our 178 partners may store and access personal data such as cookies, device identifiers or other similar technologies on your device and process such data to personalise content and ads, provide social media features and analyse our traffic.

Apr 8, 2024 | econotimes.com | Sarah Lonsdale

The car crash interview with Prince Andrew was indeed a scoop for then BBC Newsnight presenter Emily Maitlis. Its depiction in the new Netflix film Scoop is a reminder of the power of the one-to-one interview where, as in a courtroom drama, the subject has nowhere to hide from a well-informed investigator. The 2019 interview led directly to Andrew’s withdrawal from royal duties.

Apr 5, 2024 | tolerance.ca | Sarah Lonsdale

By Sarah Lonsdale, Senior Lecturer in Journalism, City, University of London The car crash interview with Prince Andrew was indeed a scoop for then BBC Newsnight presenter Emily Maitlis. Its depiction in the new Netflix film Scoop is a reminder of the power of the one-to-one interview where, as in a courtroom drama, the subject has nowhere to hide from a well-informed investigator.