Sarah Moroz

1 week ago | observer.com | Sarah Moroz

At the Jackson Hole History Museum, Camille Morineau blended her inclusive feminist retelling of art history through a territorially specific lens. Photo: Valerie Archeno“There are a lot of important female artists… the only problem is finding information about them,” French curator and art historian Camille Morineau once told the Institut Français.

1 week ago | observer.com | Sarah Moroz

Perry plays with the ascribed femininity of 18th-century French Rococo and the ascribed masculinity of arms and armor. Cassandra ParsonsThe Wallace Collection in London is brimming with fine and decorative arts: oil paintings from the 14th Century, Limoges enamel, 18th-century chests of drawers veneered with mahogany and Renaissance objects.

2 weeks ago | dazeddigital.com | Sarah Moroz

“The things we watch, listen to, read, wear, write, and share dictate in large part how we internalise and project what we’re worth,” writes Sophie Gilbert in Girl on Girl: How Pop Culture Turned a Generation of Women Against Themselves. Chronicling the transition from the 1990s to 2000s, which was psychologically violent and sexually exploitative for many women who were part of the pop culture machine, Gilbert calls for a “reappraisal”.

3 weeks ago | 1854.photography | Sarah Moroz

Fotografia Europea is a northern Italian festival showcasing societal shifts via photography, with series hosted in an array of exquisite religious and secular edifices in Reggio Emilia Artistic director Tim Clark, who has overseen the festival for its past five editions, says: “In terms of a physical setting for a festival it’s perfect: evocative and atmospheric venues, characterised by stunning architecture, all within walking distance of one another, dotted by terrific cafes and...

3 weeks ago | observer.com | Sarah Moroz

Magda Stawarska, Shimmering Moment, Lisbon, 2024. Courtesy of the artist and Yamamoto Keiko Rochaix, London / Photo: Magda Stawarska“How does someone born in Poland or East Africa end up in northern England?” wonders artist Lubaina Himid. The straddled feeling of having roots in two places is something she shares with Magda Stawarska, her artistic collaborator in “Nets for Night and Day,” an exhibition at the Mudam in Luxembourg.