Articles

  • Mar 22, 2024 | gagosian.com | Sarah Sze

    March 27–30, 2024Hong Kong Convention and Exhibition Centrewww.artbasel.comGagosian is participating in Art Basel Hong Kong 2024 with a selection of works by international contemporary artists. The works on view, which embrace a dizzying variety of subjects and approaches, see the participating artists identify fresh ways to disrupt established histories of abstraction and figuration, and instill sculptural and painterly representations of the natural world with complex cultural significance.

  • Feb 9, 2024 | whereyat.com | Sarah Sze

    What's New at the Besthoff Sculpture GardenThe New Orleans Museum of Art (NOMA) announced its celebration for the 20th anniversary of the Sydney and Walda Besthoff Sculpture Garden. Ranking as one of the top sculpture gardens in the country, the Besthoff Sculpture Garden showcases all kinds of unique art from the 19th century up to present day. On top of all the beautiful art the garden exhibits, it is free to the public and open everyday of the week.

  • Apr 28, 2023 | gagosian.com | Sarah Sze

    Sarah Sze The Waiting Room May 19–September 17, 2023Peckham Rye Station, Londonwww.artangel.org.ukSarah Sze is transforming a large Victorian waiting room at Peckham Rye Station that has lain empty for almost fifty years with The Waiting Room (2023), a site-specific installation commissioned by Artangel. The atmospheric construction features cascading lines that emerge from the center of the vaulted room to create a mesmerizing model of a fragile world.

  • Apr 26, 2023 | frieze.com | Erika Balsom |Sarah Sze

    This article appears in the columns section of frieze 235, based on the theme 'Time Warp'Erika Balsom In the press release for ‘Timelapse’, your upcoming exhibition at the Solomon R. Guggenheim Museum in New York, you are quoted as saying that the show is ‘an experiment in collective timekeeping’. Museums have always been timekeepers of a sort, but it strikes me that you are proposing something different and perhaps even opposed to the museum’s traditional relation to temporality.

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