Sarah Weinman

2 weeks ago | infobae.com | Sarah Weinman

White, Ethel Lina (1876-1944)Biographical InformationWriting and WritersBooks and LiteratureMoviesHitchcock, AlfredThe Lady Vanishes (Movie)Fue una gigante del género que publicó un centenar de relatos cortos y 17 novelas, una de las cuales fue adaptada en la aclamada película "La dama desaparece". Este artículo forma parte de Overlooked, una serie de obituarios sobre personas notables cuyas muertes, a partir de 1851, no se publicaron en The Times.

2 weeks ago | nytimes.com | Sarah Weinman

Fue una gigante del género que publicó un centenar de relatos cortos y 17 novelas, una de las cuales fue adaptada en la aclamada película "La dama desaparece". Este artículo forma parte de Overlooked, una serie de obituarios sobre personas notables cuyas muertes, a partir de 1851, no se publicaron en The Times. Antes de que Alfred Hitchcock se diera a conocer en Hollywood, recurrió a la obra de la novelista británica de suspenso Ethel Lina White.

3 weeks ago | nytimes.com | Sarah Weinman

A powerhouse of the genre, she published around 100 short stories and 17 novels, one of which was adapted into the acclaimed film "The Lady Vanishes."This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times. Before Alfred Hitchcock made his name in Hollywood, he turned to the work of the British suspense novelist Ethel Lina White.

3 weeks ago | crimereads.com | Sarah Weinman

I wish I could remember when I first read Josephine Tey’s The Daughter of Time—I must have been around twenty—but I certainly remember how much I loved it, which has only grown with every reread. I had already become a serious reader of crime fiction, immersed in the works of contemporary crime writers in addition to the usual Golden Age suspects like Agatha Christie and Dorothy L. Sayers.

4 weeks ago | lithub.com | Sarah Weinman

I wish I could remember when I first read Josephine Tey’s The Daughter of Time—I must have been around twenty—but I certainly remember how much I loved it, which has only grown with every reread. I had already become a serious reader of crime fiction, immersed in the works of contemporary crime writers in addition to the usual Golden Age suspects like Agatha Christie and Dorothy L. Sayers.