Saskia Vogel

Feb 21, 2024 | bookriot.com | Johanne Lykke Holm |Saskia Vogel |Jessica Avery

Hey there ghasts and goblins, I hope this February finds you as well as can be in a world full of so much chaos and strife.

Feb 16, 2024 | shelf-awareness.com | Linnea Axelsson |Saskia Vogel |Robin Oliveira |Laird Hunt

Aednan: An EpicShare with friends:Permanent Link:Swedish author Linnea Axelsson and translator Saskia Vogel present an exquisite prose poem or work of poetic fiction in Aednan, the title a Northern Sámi word meaning an amalgam of earth, mother, and land. It's the tale of Ristin and her husband, who experience the tragic loss of their son while migrating with their reindeer across the boundaries created between Norway, Sweden, and Finland.

Jan 24, 2024 | bookshop.org | Balsam Karam |Saskia Vogel

(Author) (Translator) FORMAT Paperback$16.95$15.76(English) Buy new or used from an indie through our partner Biblio: Price Condition Seller Lyrical and devastating, The Singularity is a breathtaking study of grief, migration, and motherhood from one of Sweden's most exciting new novelists.In an unnamed coastal city filled with refugees, the mother of a displaced family calls out her daughter's name as she wanders the cliffside road where the child once worked. The mother searches and...

Jan 10, 2024 | vqronline.org | Linnea Axelsson |Saskia Vogel

Note: Ædnan is an old Northern Sámi word meaning “the land,” “the ground,” and “the earth.” It sounds similar to the word ædno (“the river”) and ædni (“the mother”). In today’s orthography, these words are written as eana(n), eatnu, and eadni.

Dec 7, 2023 | wordswithoutborders.org | Saskia Vogel |Alexander Aguayo

What drew you to Words Without Borders (and the digital humanities more generally)? What is your personal relationship to language and translation? The field of digital humanities (DH) is a hotly contested one, for sure. The definition is ever evolving, but the one that has most closely informed my (and my research partners’) exploration of the field stems from a conversation between Mathew Hannah and Miriam Posner on the librarypunk podcast back in 2021.